Kathleen Guthrie (1905 - 1981)

Wales III, circa 1960

£3,800

SKU: 11419

Signed – Kathleen Guthrie

Acrylic

Size:
Height – 56cm
Width – 76cm

1 in stock

DESCRIPTION

Provenance:
The Artist’s Estate
Presentation:
framed

In the 1960s Guthrie made a series of landscape painting in Wales that explored the limits between nature and abstraction.

Trained at the Slade School of Art, and married to fellow painter Robin Guthrie, Kathleen Guthrie’s pre-war work was firmly figurative. Her abstract painting dates to the post-war period, after she married the Cecil Stephenson in 1941. Although clearly influenced by Stephenson, she retained a distinctive luminous, soft palette, and her brushwork remained very consistent, avoiding the hard edges and sometimes vigorous impasto of his paintings.

A solo exhibition of her work was held at the Drian Gallery in London in 1966.

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THE ARTIST

Kathleen Guthrie
Kathleen
Guthrie
1905 - 1981

Kathleen Guthrie (1905-1981) studied at the Slade School under Henry Tonks, (1922-24) and at the Royal College of Art (1925). At the Slade she met Robin Guthrie (1902-1971) whom she married in 1927. In 1930 Robin Guthrie and Rodney Burn (1899-1984), a fellow student from the Slade, were invited, on the recommendation of Tonks, to go to America and become co-directors of the Boston School of Fine Art. This two year appointment allowed Kathleen to see the New England countryside, especially around Wilmington, Vermont, where they spent the summer vacations. In 1932 she had a solo show of figure paintings and landscapes at Boston’s Stace Home Gallery.

From the 1930’s onwards Kathleen exhibited widely, especially at The New English Art Club and The Royal Academy. Her work from this period, which consisted mostly of still-lifes, landscapes and genre scenes, was painted in a whimsical figurative style.

In 1941, following the breakdown of her marriage to Robin Guthrie, Kathleen married Cecil Stephenson, a member of the group of constructivist artists led by Ben Nicholson. From this point on her work moved increasingly towards abstraction. In the 1960’s she embarked on her Camelot Series, bold, hard-edged compositions of contrasting forms arranged as pure fields of colour. These formed the main body of work exhibited in 1963 at the New End Gallery and her retrospective at the Drian Galleries in 1966.

In the mid 1960’s Kathleen was introduced to silk screen printing and become one the most accomplished practitioners of her generation. The main body of these works were inspired by paintings from her Camelot series and Stephenson’s iconic images including Egg Tempera 1936 and Egg Tempera 1937.

With thanks to artbiogs.co.uk

EXHIBITION LIST

Individual exhibitions:
1932 Grace Horne Gallery, Boston, USA 1947 Little Gallery, Piccadilly, London 1951 Kalman Gallery, Manchester
1963 New End Gallery, Hampstead, London 1966 Drian Gallery, London 1968 The Art Gallery, Brighton
1968/69 Trentham Gallery, Emsworth, Hampshire 1970 Forge Gallery, Cookham, Middlesex
1972 Erica Bourne Gallery, Golders Green, London 1974 Camden Arts Centre, Finchley, London 1977 Coach House Gallery, Guernsey 1977 Centaur Gallery, Highgate, London

Group exhibitions(WIAC, Free Painters, Hampstead Artists Council, London Group, etc.), at: King Street Gallery, Cambridge
AIA Gallery, London
New Vision Centre, London
FBA Gallery, Suffolk Street, London (WIAC & FP)
Gallery Greuze, Paris, France
Pittsburgh, USA
Galleria Numero, Florence (WIAC)

Mixed exhibitions, at:
London Galleries: Goupil Gallery, Royal Academy, National Gallery (war pictures official purchase), London Group, Redfern Gallery, Leicester Galleries, Gimpel Fils, Whitechapel Art Gallery (Guggenheim Award Exhibition), Drian Gallery
Others: Galerie HervŽ , Paris; Leicestershire County Hall

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Kathleen Guthrie (1905 - 1981)
Family Outing
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Wales, circa 1945-1950
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Kathleen Guthrie (1905 - 1981)
Large Blue and Yellow Abstract, 1960’s
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Wales III, circa 1960
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Convalescence
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Stewart Algernon McGuire bathing at night in front of the fire, circa 1970
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Girl on Sofa,circa 1970
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In the Country, circa 1960
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Psychedelic stripes, circa 1970
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Blue green upright, circa 1970
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Verticals, circa 1970
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Still life with Flowers, circa 1950
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Flowers with Fish, circa 1950
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Cat and Flowers, late 1950’s
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Kathleen Guthrie (1905 - 1981)
Red Square, circa 1970
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Kathleen Guthrie (1905 - 1981)
Blue Green Picture, circa 1970
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Kathleen Guthrie (1905 - 1981)
The Bicycle Ride, circa 1970
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Kathleen Guthrie (1905 - 1981)
From a painting by Cecil Stephenson 1938, circa 1960
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Kathleen Guthrie (1905 - 1981)
Five Colours, circa 1970
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Kathleen Guthrie (1905 - 1981)
Magenta III, circa 1969
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Kathleen Guthrie (1905 - 1981)
Four Colours, Brown and Grey, c 1970
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Kathleen Guthrie (1905 - 1981)
Four Colours, circa 1970
Kathleen Guthrie (1905 - 1981)
Family Outing, circa 1970
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Kathleen Guthrie (1905 - 1981)
Surprise, circa 1970
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Kathleen Guthrie (1905 - 1981)
Afternoon Tea, circa 1970
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Kathleen Guthrie (1905 - 1981)
In the Park, circa 1970
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Kathleen Guthrie (1905 - 1981)
Landscape, circa 1970
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Kathleen Guthrie (1905 - 1981)
The Strawberry Hat
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Kathleen Guthrie (1905 - 1981)
Composition in blue, pink, red and crayon (Dazzle), circa 1960
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Kathleen Guthrie (1905 - 1981)
Red Centre Blue, circa 1969
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Kathleen Guthrie (1905 - 1981)
Four Colours ,late 1960’s
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Kathleen Guthrie (1905 - 1981)
Original design for Triangular forms in grey and brown, 1960’s
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Kathleen Guthrie (1905 - 1981)
From a painting by Cecil Stephenson 1938
Kathleen Guthrie (1905 - 1981)
Original Design for White, Red and Blue Circles in Square, c. 1939
£6,750
Kathleen Guthrie (1905 - 1981)
From a tempera painting by John Cecil Stephenson 1937
£1,800
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Kathleen Guthrie (1905 - 1981)
Original collage design Camelot 2
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Kathleen Guthrie (1905 - 1981)
Poppies with blow paint
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Kathleen Guthrie (1905 - 1981)
Original design for 5 squares, late 1960’s
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Kathleen Guthrie (1905 - 1981)
Blue Bird, 1960s
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Ambience, 1966
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Horizontal abstract, white, grey and brown, early 1960’s