Our Story

Liss Llewellyn was created in 1991 by Paul Liss and Sacha Llewellyn. Sourcing paintings directly from artists’ estates and private collections, for over 30 years, Liss Llewellyn has offered for sale museum quality works of art by some of the most significant talents of the 20th century. Many of these have been placed in public museums and galleries as well as purchased by some of the greatest private collectors of our day.

Our website is designed as both a resource for research and a marketplace. Working in association with museums worldwide, Liss Llewellyn has curated many groundbreaking monographic and thematic exhibitions. Each of these is accompanied by a scholarly catalogue, over ten of which have been long-listed for the William MB Berger Prize for Art History, (awarded to Sacha Llewellyn in 2017 for her monograph on Winifred Knights).

This is the only design that Ravilious ever produced specifically for wallpaper. It was made during the time he was a student at the Royal College of Art and gifted to his fellow artist Douglas Percy Bliss (1900-1984) in 1924. Together with Edward Bawden, these three artists lived and exhibited with one another; they exchanged ideas and techniques, and made pilgrimages to sites such as ‘Rat Abbey’ – Samuel Palmer’s run-down cottage in Shoreham – in order to study the local countryside. They were inseparable.

This design has only recently been unearthed having remained for the best part of 100 years, unrecorded, in Bliss’s studio.

This collection of Belleroche’s work, which comprises more than three hundred paintings, drawings and lithographs, is the largest of its kind, whether in public or private hands. As a group, these works offer a striking record of the breadth and quality of Belleroche’s art and an insight into his working technique, which at times was remarkably innovative. The collection includes an unrivalled number of monotypes and single edition prints. It is also unique in reuniting the preparatory graphic work with the paintings. Although Belleroche is primarily known as a print maker, for the first two decades of his professional life (1880-1900) he was a painter. After 1900 he worked as a lithographer, first and foremost, but painting and graphic art co-existed and understanding the relationship between the two is important for appreciating his extraordinary talent.