Private Collection

Maxwell Armfield (1881 - 1972)

Winter Wood

SKU: 7790
Signed with monogram 
Tempera on panel 
10 x 8 in. ( 25.4 x 20.3 cm)

Size:
Height – 25.4cm
Width – 20.3cm

DESCRIPTION

Provenance:
The Fine Art Society, February 1988; The Fortunoff Collection; Private collection
Presentation:
framed

Maxwell Armfield was one of the most skilful, and minutely representational artists of the twentieth-century.
From 1897, he studied at the Birmingham School of Art, where both Pre-Raphaelitism and the Arts and
Crafts Movement continued to exercise a dominant influence through the teachings of Arthur Gaskin and
Mary Morris. It is here that Armfield also discovered the work of the Tempera Revivalist Group, and honed
his technique alongside Joseph Southall, who taught tempera painting from his studio in Edgbaston.

Armfield specialised in small flower paintings and still-lives, of which ‘Winter Wood’ is an excellent example. In 1909, he married the author and playwright, Constance Smedley, who proved a strong influence upon his work and life. In 1910 they collaborated together on ‘The Flower Book’, a charming volume, containing poems, stories and anecdotes about the wonderful array of British plants and flowers. It was written by Constance Armfield, and illustrated by Maxwell Armfield, and contained four sections: The Meadows and Coppice’, The Hedge’, The Garden, The Pool’, and ‘The Herb Patch’.

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THE ARTIST

Maxwell
Armfield
1881 - 1972

Painter and decorative artist, especially in tempera, and writer. Born in Ringwood, Hampshire, Armfield was educated at Birmingham School of Art – there is a Birminfham Arts and Crafts flavour in his pictures – then in Paris and Italy. Exhibited extensively, including RA, Fine Art Society, for long a noted dealer in his work, NEAC, Leicester Galleries and abroad. His work is held by the British Museum, provincial and overseas galleries. He illustrated about 20 books and wrote A Manual of Tempera Painting, Tempera Painting Today, An Artist in America and An Artist in Italy. During World War I, with his writer wife Constance Smedley, Armfield attempted to set up a high-flown peoples’ Greenleaf Theatre in his studio, an abortive venture amusingly recalled by Margaret Gardiner in her book A Scatter of Memories. Armfield was a painter of landscape and still life well crafted and full of detail. Lived in Bath, Somerset.

MORE PICTURES BY ARTIST

Maxwell Armfield (1881 - 1972)
Still Life, 1914
Maxwell Armfield (1881 - 1972)
Pacific Portrait, c.1915’22
Maxwell Armfield (1881 - 1972)
Profile portrait of a Navaho Indian, circa 1918
Maxwell Armfield (1881 - 1972)
Love in the Mist – study of a Nigella Damascena seed head
Maxwell Armfield (1881 - 1972)
Pot of Delfts Blue
Maxwell Armfield (1881 - 1972)
Datura in Bronze
Maxwell Armfield (1881 - 1972)
Still Life, Grand Canyon, 1917
Maxwell Armfield (1881 - 1972)
Winter Wood
Maxwell Armfield (1881 - 1972)
As the crackling of thorns under a pot…, circa 1920
Maxwell Armfield (1881 - 1972)
Still life with Pheasant’s Eye Daffodil in a Pewter Vase
Maxwell Armfield (1881 - 1972)
Madonna of the Desert, circa 1916
Maxwell Armfield (1881 - 1972)
New Roses, carpet design, 1935
Maxwell Armfield (1881 - 1972)
The Queen of the Darket, Tales from Timbuctoo, circa 1923