Maxwell Armfield was one of the most skilful, and minutely representational artists of the twentieth-century.
From 1897, he studied at the Birmingham School of Art, where both Pre-Raphaelitism and the Arts and
Crafts Movement continued to exercise a dominant influence through the teachings of Arthur Gaskin and
Mary Morris. It is here that Armfield also discovered the work of the Tempera Revivalist Group, and honed
his technique alongside Joseph Southall, who taught tempera painting from his studio in Edgbaston.
Armfield specialised in small flower paintings and still-lives, of which ‘Winter Wood’ is an excellent example. In 1909, he married the author and playwright, Constance Smedley, who proved a strong influence upon his work and life. In 1910 they collaborated together on ‘The Flower Book’, a charming volume, containing poems, stories and anecdotes about the wonderful array of British plants and flowers. It was written by Constance Armfield, and illustrated by Maxwell Armfield, and contained four sections: The Meadows and Coppice’, The Hedge’, The Garden, The Pool’, and ‘The Herb Patch’.