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Yser, November 1914

SKU: 9889
Watercolour

Size:
Height – 1143cm
Width – 889cm

DESCRIPTION

Provenance:
Elizabeth Harvey-Lee
Presentation:
mounted

Literature: En Guerre, French Illustrators and World War 1, Neil Harris and Teri J. Edelstein, The University of Chicago Library, 2014.

Published by Librarie Lutetia [A. Ciavarri, Directeur]


This complete set includes twelve coulored woodcuts each representing a month of the first year of the Great War from August 1914 until July 1915. 

Each month is represented by a place, a battle or an event such as mobilisation. Women figure prominently in most of these images.

The Battle of the Yser took place in October 1914 between the towns of Nieuwpoort and Diksmuide along a 35-kilometre long stretch of the Yser river. The front line was held by a large Belgian force which succeeded in halting the German advance, though only after

heavy losses. After two months of defeats and retreats, the Battle of Yser finally halted the invasion that gave Germans control of over 95% of Belgian territory. Victory in the battle allowed Belgium to retain control of a tiny part of its territory making King Albert a

Belgian national hero and sustaining national pride.


Exhibited: The Great War, Morley College, Sept./Oct. 2014, Cat.no. 28

Literature: Llewellyn, Sacha, The Great War, As Recorded through the Fine and Popular Arts, Liss Fine Art, 2014,  page 41.

Disclaimer:
Liss Llewellyn are continually seeking to improve the quality of the information on their website. We actively undertake to post new and more accurate information on our stable of artists. We openly acknowledge the use of information from other sites including Wikipedia, artbiogs.co.uk and Tate.org and other public domains. We are grateful for the use of this information and we openly invite any comments on how to improve the accuracy of what we have posted.

THE ARTIST

Rene George Hermann-Paul
Rene George
Hermann-Paul
1864 - 1940

Pseudonym of Rene Georges Hermann-Paul, born in Paris, he trained as a painter at both the Ecole des Arts Decoratifs and the Academie Julian.  Hermann-Paul’s prints and caricatures established his reputation by the beginning of the twentieth century.  His drawings for Le Courrier  Francais, starting in 1894, and for Le Rire, as well as his active support of Alfred Dreyfus, led to involvement with anarchist journals.  A satirist of bourgeois values, cynical, abrasive, and even rude in his depictions, Hermann-Paul was an active social commentator for more than three decades, although in his last years his politics moved decisively towards the right.

We are grateful to Teri J. Edelstein and Neil Harris for the above information taken from their book En Guerre French Illustrators and World War 1, Neil Harris and Teri J  Edelstein, The University of Chicogo Library, 2014

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