SKU: 11676
Percy Horton
(1897 - 1970)
Self Portrait, 1950
£5,950
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Percy Horton (1897 - 1970)
Label on reverse with artist’s name,
title and inscribed with ‘one of the last paintings the artist was
working on before he died’.
blue crayon and oil on board, 12 3⁄4 x 10 1⁄2 in. (32.5 x 27 cm)
Size:
Height – 32.5cm
Width – 27cm
Believed to be Percy Horton’s last work this unfinished still life bears witness to the vitality Horton retained to the end of his remarkable career, which included hard labour during World War1 when he was a conscientious objector. This is an illustration to a poem by Anne Harding Thompson:
Evening primroses in a London garden.
Mr Smith comes every Friday, to keep our little garden tidy.
His face looks like a piece of leather, he always grumbles at the weather. He lets me help him dig up weeds, and sometimes lets me sow the seeds. In spring the irises are fine, the tulips stand up in a line.
There are London pride and hollyhocks, and golden rod and purple stocks. We have a lilac and a may.The marigolds come out by day –
But is the evening primrose right: it always has new flowers at night?
Born in Brighton, Percy Horton attended the School of Art there from 1912-1916. During the First Word War he became a conscientious objector and was sentenced to two years hard labour in Carlton Prison, Edinburgh, from 1916-18. After the war, he took up his studies again at the Central School of Art 1918-20 and the Royal College of Art 1922-24. In 1925 he was appointed art master at Bishop’s Stortford College and also began giving classes at the Working Men’s College in London.
As a member of the AIA (Allied International Artists) during the 1930’s he believed that artists should be socially committed and he painted a series of portraits of the unemployed during the Depression. He taught at the RCA between 1930 and 1949. During the Second World War the college was evacuated to Ambleside and he produced a series of paintings of the Lake District and its people. At the request of the War Artists Advisory Committee he drew portraits and painted scenes in war factories and this collection is now in the Imperial War Museum. In 1949 Horton was elected Ruskin Master of Drawing at Oxford University and remained in this post until his retirement in 1964. His favourite areas for his paintings were the South Downs around Firle and the farmsteads of Provence.
His style was restrained and traditional; in 1973 came this quote – “the landscapes of his maturity are carefully composed and closely observed, the artist’s strong sense of form and pictorial structure making them serious works which require time to assimilate and appreciate. As a figure draughtsman, he was outstanding and his portrait drawings and paintings are the work of a sensitive artist of intense concentration, intellectual power and human understanding.”
Percy Horton painted many scenes of Dulwich . He and his wife, Lydia lived at 11 Pond Cottages for many years. His neighbours were fellow artists James and Margaret Fitton who lived at 10 Pond Cottages. After the Hortons left the two cottages were amalgamated and the Fittons took over the entire property. One of Horton’s pupils at the RCA was the North American-born artist, R.B. Kitaj, who also lived in Dulwich, in the 1960’s, in Burbage Road.
Horton exhibited in numerous group shows, including the Royal Academy Summer Exhibition, Arts Council travelling exhibitions, Royal Society of British Artists, New English Art Club, Ashmolean Museum and the Brighton Art Gallery. A memorial retrospective was held at the Mall Galleries in 1971. His work may be seen in the permanent collections of the Tate, National Portrait Gallery, Arts Council, Fitzwilliam Museum, Cambridge., and a number of city art galleries.
We are grateful to Professor Edward Chaney for assistance.
