In the 1970s Rodney Bewes (best known as Bob Ferris in the hit T.V. sit-com The Likely Lads) frequently lent Brook his cottage on the Lizard in Cornwall. From there Brook produced a remarkable cycle of paintings. ‘I loved the sea and when I saw
the remains of the Tin Mines with their tall chimneys I felt I must record them. For two or three years we returned, and I thought it was a wonderful area for an artist brought up in the Industrial West Riding’. (Letter to Paul Liss, 14 December 2003). Throughout his life, Peter Brook remained entirely consistent in his vision. While comparison is sometimes made with Lowry and with Brook’s friend and fellow artist Carel Weight, the technique he developed of using a variety of rollers and tools for scratching out and his personal involvement with landscape set his works apart.