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Hubert Arthur Finney
(1905 - 1991)
Amy Ironing, circa 1953
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Hubert Arthur Finney (1905 - 1991)
Size:
Height – 76cm
Width – 63.5cm
This painting shows Amy Finney (Dyer) ironing at London Road, Wokingham.
Finney met his second wife whilst convalescing in 1945. He described her as ‘a lovely intelligent woman with gifts in the visual arts as a designer’ who had attended design and drawing class at Reading University, and knew professor Betts who was the head of the fine art department. Through he connect with Betts she was able to secure Finney a part time teaching post at Reading which resulted in Finney being put in charge of life drawing a position he held until his retirement in 1970.
As an artist Finney was ambitious. He strove throughout his career to create a vision that would be enduring. Amy Ironing combines all his strengths: his admiration for Old Masters (especially Vermeer), his love of the night, and his ability to replicate a sense of the aching loneliness of the artists that he admired, such as Edward Hopper.
We are grateful to Nicholas Finney for assistance.
A reclusive figure whose work has remained largely unseen, Finney studied under Eric Gill before winning a scholarship to the Royal College of Art in the early 1920’s; his closest friends there were Charles Mahoney,(1903-1968), Gerald Ososki (1903-1981) and Barnett Freedman (1901-1958). Finney had the good fortune to attend the RCA as part of a golden generation, many of whom went on to become some of Britain’s best loved artists (amongst them Ravilious, Bawden, Hepworth, Moore, Dunbar, Sorrell, and Piper). After a travelling scholarship to Rome, in 1929, Finney returned to become a teacher at Chelsea School of Art – working alongside Henry Moore who was in charge of the Sculpture Department and Graham Sutherland, the Department of Design.
From 1927-1934 he exhibited at the NEAC. In 1935 his painting Mother and Child was acquired by Carlisle Art Gallery. During WW2 Finney worked for the light rescue service of the Civil Defense.
After the war he taught part time under Anthony Betts at Reading University and was in charge of life drawing there when he retired in 1970. Although he was reluctant to show his work he did exhibit at the RA Summer exhibition (in 1950 and 1954) and the Portrait Society and at The Paris Salon. A large solo exhibition took place at the University of Oxford’s Institute of Education in 1964, and at The Lightbox, Woking, in 2022.
We are grateful to Nicholas Finney and David Buckman for assistance.
