Portrait of John Hassall Painting

£800

SKU: 6494
Signed with initials, inscribed ‘Scotland’
Black ink on paper 

Size:
Height – 10.4cm
Width – 7.7cm

1 in stock

DESCRIPTION

Provenance:
Private collection
Presentation:
framed

Literature: Llewellyn, Sacha, and Paul Liss. Portrait of an Artist. Liss Llewellyn, 2021, p.215.

Having studied in Antwerp and Paris, during which time he was influenced by the famous poster artist Alphonse Mucha, John Hassall became one of Britain’s most success graphic artists of his generation. His work was characterised by the use of flat colours enclosed by thick black lines,  a style widely recognised when, from 1895 he began work as an advertising artist for David Allen & Sons, a career which lasted fifty years,  and included iconic  posters such as  “Skegness Is so Bracing” (1908). Between 1896 and 1899, he produced over 600 theatre poster designs for the firm. 

In 1900, Hassall opened his own New Art School and School of Poster Design in Kensington.  The Hassall brand was thus pass onto a new generation: Annie Fish, Bert Thomas, Bruce Bairnsfather, H. M. Bateman and Harry Rountree were among his students.  He also belonged to several clubs, including the Langham (until 1898), the Savage, and the London Sketch Club, of which he was a President from 1903- 1904. Dudley Hardy and with Cecil Aldin, were life long friends He was, not surprisingly, the  subject of numerous  portraits by his students and admirers .

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THE ARTIST

Frank Reynolds
Frank
Reynolds
1876 - 1953

Painter and illustrator who was born in London, the son of an artist. He studied at Heatherley’s School of Fine Art, c. 1890 and exhibited at the RA, RI and was elected RI in 1903.
His name is associated with the Illustrated London News, The Sketch, and Punch. Reynolds also illustrated books, including the works of Dickens. 

A contributor to Punch from 1906, Reynolds joined the staff in 1919 and, a year later, became Art Editor, a post he retained for over a decade. 
Friend and illustrator John Hassall advised him to move from pen and ink to pencil and crayon, as well as watercolour, a switch that resulted in a more fluid style of cartoon. 
His illustrations for Dickens’ novels in 1910-12 were a great success, with his characters used in advertising for Buchanan’s Scotch Whiskies. One of Reynolds’ most famous First World War drawings for Punch depicts a German family sitting around the breakfast table indulging in their “morning hate”. 
In 1933, he resigned his membership of the RI, and moved to Thames Ditton, Surrey ostensibly to retire. But, as his well-liked creation ‘The Bristlewoods’ demonstrated, he continued to illustrate right through the 1930’s and into the period of WWII. 
Bibliography: Epaulettes-Service types by Torin Blair, illustrated by Frank Reynolds. Published by S. H. Bousfield & Co, London, 1902. 
The Frank Reynolds Golf Book: Drawings from ‘Punch,’ etc. Published by Methuen & Co, London, 1932. 
The Old Curiosity Shop by Charles Dickens, illustrated by Frank Reynolds. Published by Hodder & Stoughton, London, 1913.
With thanks to artbiogs.co.uk

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