Victor Pasmore (1908 - 1998)

Square Development, 1953-1975

SKU: 9631
Etching and Aquatint
47.3 x 37.5 cm

Height – 37.5cm
Width – 47.3cm


Liss Llewellyn are continually seeking to improve the quality of the information on their website. We actively undertake to post new and more accurate information on our stable of artists. We openly acknowledge the use of information from other sites including Wikipedia, and and other public domains. We are grateful for the use of this information and we openly invite any comments on how to improve the accuracy of what we have posted.


Victor Pasmore
1908 - 1998

Painter, printmaker and relief-maker, born in Chelsham, Surrey. Owing to the death of his father he went straight into employment on leaving school as a clerk in the head office of the London County Council. He painted in his spare time and studied the Impressionists, and Cotman and Turner, among others, in the national collections. In 1932 Pasmore was elected into the London Artists’ Association and 1934 into the London Group. In that same year, Pasmore showed in the Objective Abstraction exhibition at the Zwemmer Gallery attracting the attention of Kenneth Clark whose financial assistance allowed him to become a full-time painter. Experimentation with Post-Impressionism gave way to the quiet realism associated with the Euston Road School which he helped found in 1937. During the 1930’s he also exhibited with the short-lived Twenties Group at the Lucy Wertheim Gallery and also at the similarly short-lived Storran Gallery. In 1942 he moved to Chiswick Mall where he painted river scenes partly inspired by Turner and Whistler. His post-war garden, river and park scenes are less romantic and reveal his search for an underlying geometry. He was both exhibitor and a judge at the John Moores Liverpool Exhibition.

In 1948 while teaching at Camberwell School of Arts & Crafts, Pasmore experimented with pure abstract work, first with collage, then paint and finally abandoned painting temporarily to work solely with reliefs. He became a major figure in the 1950’s and was the leader of the English Constructionists. He occupied various teaching posts part-time and the Anglo-French Art Centre and also at Camberwell, Central School of Arts & Crafts and, finally, King’s College, Durham, where he became an exponent of Basic Form. In 1966 Pasmore purchased a house and studio in Malta. During the 1960’s he returned to painting, still in a non-figurative style but used forms that evoke associations with nature. For many years Pasmore showed with Marlborough Fine Art in London. He was married to artist Wendy Pasmore and examples of his work are in art galleries, museum and collections across the world. These include the Tate Gallery, the British Council, Bury Art Gallery, Leeds University Collection,Towner Art Gallery, Whitworth Art Gallery, Manchester, Ulster Museum, Museum of Modern Art, New York, MusŽ e des Beaux-Arts, Bordeaux, Royal Academy of Arts, London, Yale Center for British Art, New Haven, Connecticut and the MIMA.
With thanks to