Provenance: Christie’s, Harry Bush Studio Sale, 28.9.84, lot 53
Exhibited: London, Royal Academy, 1932, no. 588
Literature: Nicholas Alfrey, Stephen Daniels and Martin Postle (eds.),
The Art of the Garden: The Garden in British Art, 1800 to the Present
Day, Tate, 2004, (fig. 47, illustrated p. 85)
Bush lived at 19 Queensland Avenue, Merton Park, SW19, in a
custom-built house with an extra storey for his studio. Bush saw the
ancestry of his art in the quiet dignity of Dutch and Flemish domestic
scenes, and, as his younger daughter recalled, mixed pigments and oils,
‘so that his work should mellow, glow and last, and if possible,
improve‘ (The Art of the Garden, Tate, 2004, p. 85). Most of his
twenty-seven Royal Academy exhibits (1922-54) were based on local
subjects, earning him the epithet ‘Painter of the Suburbs‘. Amongst
this series are some of the most beautiful, if understated, images of
suburban London between the wars. An almost identical painting by Bush
was included in the recent Tate Britain show The Art of the Garden
(illustrated on page 85 of the catalogue, fig. 47).
