Robert Austin (1895 - 1973)

Ling of Lingard, 1936 (CD 115), the original copper plate

£6,500.00

SKU: 9721
Signed with initials in the plate
Original copper plate
plate: 17.5 x 15.2 cm
frame: 28 x 25 cm

Size:
Height – 17.5cm
Width – 15.2cm

1 in stock

DESCRIPTION

Provenance:
The Artist’s Studio
Presentation:
passe-partout

Literature: Llewellyn, Sacha, and Paul Liss. Portrait of an Artist. Liss Llewellyn, 2021, p.151.

Ling was the name of the artist’s Dalmatian, named after the family’s home, Lingard House, in Chiswick.  The engraving, produced in 1936, shows Ling in five  different states of repose combined into a decorate cartouche.

It is generally acknowledged that Austin was one of the greatest exponents of line engraving of the Twentieth century. Campbell Dodgson, keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austins’ work, compared his work to that of Durer noting that Austin had ‘more than a touch of that master in him’ (Robert Austin, Twenty-One, 1930 Gallery).

 

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THE ARTIST

Robert Austin
Robert
Austin
1895 - 1973

Printmaker and draughtsman, born in Leicester. He studied at the School of Art there and at the Royal College of Art, 1914-16 and 1919-22, winning the Rome Scholarship for engraving in the latter year. He taught engraving at the Royal College of Art, 1927-44, becoming Professor in the Department of Graphic Design, 1948-55. Showed with RWS, of which he was a member and President; RE, of which he was a member; and the RA, to which he was elected in 1949. Austin was a meticulous craftsman-engraver and a vigorous draughtsman, as his series of drawings of Women’s Auxiliary Air Force and ballooning activities done during World War II shows. The Tate Gallery holds his work.

The Ashmolean Museum, Oxford, organised an exhibition of his work in 1980.

More recently he was the subject of two shows at the Fine Art Society plc (2001 and 2002), the latter organised in conjunction with Liss Fine Art Ltd.

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