Joseph Southall (1861 - 1944)

Fowey, VIII 1897

SKU: 9361
Signed with monogram, dated and titled
Pencil and gouache on paper
7 1/4 x 5 1/8 in. (18.5 x 13 cm)

Height – 18.5cm
Width – 13cm


The Artist’s Estate

Some of Southall’s most celebrated paintings were of Fowey Harbour.

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Joseph Southall
1861 - 1944

Southall was
born in Nottingham of Quaker parents,
and was taken by his mother to Birmingham
when his father died the following year. In
i874 he entered
the Friends’ School.
Bootham, where he was taught
by Edwin Moore (brother of Albert and
Henry). Four years later he joined
the Birmingham
firm of architects, Martin and Chamberlain, but in 1882 he left to concentrate
on painting, attending the
Birmingham School of Art where he met A J
Gaskin, henceforth his closest friend, and
other members of
the Birmingham
Group. About the same time he set­
13 Charlotte Road, Edgbaston, his home for the rest of his life. In 1883 he
spent eight weeks in
Italy, absorbing the early masters, and on his return he began to experiment with tempera. Meanwhile, through an uncle, he had made the acquaintance of Ruskin, who commissioned him to design a museum for
the Guild of St George at Bewdlev (1885);
came to nothing but took him
again to Italy.
He also
received encouragement from W
B Richmond and
Burne Jones, to whom he
paid visits in London
(1893-7). In 1895 he began to exhibit at the RA (Car. 72),
showing there till 1942, while also support­ing the New Gallery (1897-19o9), the RBSA (Associ­ate 1898. member 1902)
and the Arts and Crafts Exhibition Society shows (1899-1923). In 1901, together with J D Batten, Walter Crane and others,
he helped to found the Society of
Painters in
Tempera, and he was
undoubtedly the single most
exponent of the tempera revival. Though
never, like so many members of the Birmingham Group, on the staff of the local Art School,
he gave
lessons on tempera painting
in his Edgbaston studio and lectured on the subject widely. As well as literary
figure subjects, he painted genre scenes, portraits and landscapes; his wife Anna Elizabeth, a first cousin whom he married in 19o3, appears in many of his pictures,
and often helped to decorate their elaborate gilded
frames. Southall was a leading figure among
Birmingham Quakers, a Socialist and pacifist; he campaigned vigorously
against the conduct of the
Great War,
during which he painted the fresco of ‘
Cor­poration Street, Birmingham, in March 1914′, on
the stair­case of the Birmingham
Art Gallery, (completed in 1916).
In later life he joined the NEAC and RWS (1925), participated
joint exhibitions with other
Birmingham and
tempera painters, held a number of one-man shows (notably at the Alpine Club 1922), and,
building on
the success of an
exhibition at the
Georges Petit
in Paris in 1910, established a
considerable inter­
national reputation. He and his wife paid frequent visits to Italy,
sometimes with Charles and Margaret
Gere; also to France, Southwold and Fowey, where
he found many subjects.
In 1933 he was appointed Professor of
Painting at the RBSA (President
and in 1937 began a fresco in the Council House. It was not, however, completed; that August he under­went a major operation
and never fully recovered, dying in 1944. A
memorial exhibition was held at Bir­mingham, the RWS
and Bournemouth the following


Joseph Southall (1861 - 1944)
Anna Elizabeth Baker (study for The Coral Necklace), c.1894
Joseph Southall (1861 - 1944)
Young girl seated on a wall, Ludlow, 16.VI.1916
Joseph Southall (1861 - 1944)
Fowey, VIII 1897
Joseph Southall (1861 - 1944)
Bessie at her work table, 22.III.1908
Joseph Southall (1861 - 1944)
The Agate (Portrait of the Artist and his Wife), 1911