In late 1932 Dunbar volunteered for an ambitious mural project at Brockley School for Boys, in south-east London.The project was to be led by Cyril Mahoney, Dunbar’s mural tutor at the Royal College of Art.The central arcade ceiling was to feature ‘the four winds of Hilly Fields’ (Hilly Fields was – and is – the parkland on which the school stands). Dunbar abandoned the winds in favour of her own designs of goddesses (Juno and Minerva) rubbing shoulders with personifications of virtuous and not-so-virtuous qualities (Ge- nius,Virtue and Reputation and, as in the designs above, Industry and Sloth.)The design evolved over time from the sketch to the finished version, but in both Sloth is asleep while Industry keeps busy.