Evelyn Dunbar (1906 - 1960)

An Artist at His Easel (probably Robert Lyon), late 1920s

£2,750

SKU: 11077
Pencil, watercolour pen and ink on paper

Size:
Height – 55.5cm
Width – 38cm

1 in stock

DESCRIPTION

Provenance:
The Artist’s Estate; Private collection
Presentation:
folio

Literature: Llewellyn, Sacha, and Paul Liss. Portrait of an Artist. Liss Llewellyn, 2021, p.180.

The identity of this artist, with his foot resting nonchalantly on the easel, is thought to be Robert Lyon who was a student at the Royal College of Art in the mid 1920’s.

Edward Halliday and Robert Lyon, 1926

Disclaimer:
Liss Llewellyn are continually seeking to improve the quality of the information on their website. We actively undertake to post new and more accurate information on our stable of artists. We openly acknowledge the use of information from other sites including Wikipedia, artbiogs.co.uk and Tate.org and other public domains. We are grateful for the use of this information and we openly invite any comments on how to improve the accuracy of what we have posted.

THE ARTIST

Evelyn Dunbar
Evelyn
Dunbar
1906 - 1960

Evelyn Dunbar studied at Rochester School of Art, Chelsea School
of Art (1927) and the Royal College of Art (1929’33). She painted
murals from 1933 -36 at Brockley School, a collaboration with her
RCA tutor (and lover) Cyril Mahoney (1903’1968) and in 1937
they wrote and illustrated together Gardeners’ Choice. 

In 1938 she set up the Blue Gallery in Rochester, exhibiting her
own work alongside that of Edward Bawden (1903’1989) and
Barnett Freedman (1901’1958) and others. In 1940 she was
appointed an official war artist, becoming the only woman (amongst
36 men) to be given a full time salaried position by the WAAC. 

She held her only solo exhibition at Withersdane, Wye, Kent
in 1953, although the WAAC included numerous pieces in touring
exhibitions ranging from Aberdeen Art Gallery to MOMA, New York. 

A posthumous exhibition was held in 2006 at St Barbe
Museum and Art Gallery, and in 2015 Liss Llewellyn mounted a
major retrospective of her recently rediscovered studio at Pallant
House Gallery. 

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August, c. 1937
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The Parlement of Foules, 1933-1936
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Gadshill House,1937
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Study for personification of June for Country Life 1938 Gardener’s Diary, subsequently not used.
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Roses From Our Garden, Nov. 3rd 1926′
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Wheelbarrow Study
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Plant study
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Flower Study
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Study for Farm Dictionary
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Picking Fruit
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Study for Hospital Train
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Shall We Gather by the River, c. 1925
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Industry and Sloth, c.1932
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Felbridge, circa 1926
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Self-portrait, c.1927
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Waternymphomania, circa 1928
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Portrait of a Musician, 1924
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Sketch for the dust cover for A Farm Dictionary (Derek Chapman, Evans Brothers, London, 1953
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The Conservatory at the Cedars
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A diagrammatic explanation of trenching or double digging
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Seated Model with Hairstyle ‘à la poissarde’, circa 1931
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Study of a WAAF at RAF Gravesend, 1944
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The Artist at Her Drawing Board, mid-1920s
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August, 1937
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Studies of vignettes for Country Life, 1938
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Joseph’s Dream, 1938
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The Garden at the Elms, Winter, 1956
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Study for Gardener’s Choice: Himalayan Primrose with vignettes of a gardener to the margins
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December for the Country Life 1938 Gardeners Diary
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Design for June for the Country Life 1938 Gardeners Diary
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Design for unused title page of Gardener’s Choice, circa 1936
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Princess Caroline
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Woman Selling Watermelon Slices, West Indies
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Joseph in Prison, 1949-50
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Study for July, Gardeners Diary 1938, 1937
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Study II for designs for an embroidered quilt [HMO 689]
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Studies for Mercatora, an allegorical painting (whereabouts unknown) [HMO 173]
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Dorset, 1947-1948
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Jacobs Dream, 1960
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Men Stooking and Girls Learning to Stook. 1940
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Study at Sparsholt Farm Institute for A Land Girl and the Bail Bull, 1944 [HMO 40]
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Singling Turnips, 1943
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Seven Days
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Sacking Potatoes, 1948
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Colour study for sub-gallery spandrels at Brockley County School for Boys [HMO 551]
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The Dunbar family in the Garden at The Cedars, Spring (Version 1), c.1928 (HMO 75)
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Portrait of the Artist’s Mother, Florence, on a Bentwood Rocking Chair, c.1930
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Go Shell, proposed design for Shell petrol. c.1937 [HMO 751]
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Land Workers at Strood, c. 1938
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The Childrens Shop: mice (recto), birds (verso) [HMO 749]
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Sleeping Beauty, 10 minute sketch, c.1928 (HMO 786)
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Milking Practice with Artificial Udders, 1940
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Autumn and the Poet, 1948-1960
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Portrait of the artist Margaret Goodwin