Phyllis Dodd (1899 - 1995)

Norah McGuinness, 1926

£2,500

SKU: 8615

Signed, titled and dated

Drypoint print,

Plate size: 10 1⁄2 x 8 in. (27 x 20 cm)

Paper size; 15 x 10 3⁄4 in. (38 x 27.5 cm).

Size:
Height – 27cm
Width – 20cm

1 in stock

DESCRIPTION

Provenance:
The Artist’s family
Presentation:
folio

Literature: Llewellyn, Sacha, and Paul Liss. Portrait of an Artist. Liss Llewellyn, 2021, p.206.

Norah McGuinness was born in County Londonderry. She attended life classes at Derry Technical School and from 1921 studied at the Dublin Metropolitan School of Art under Patrick Tuohy (1894‚Äì1930), Oswald Reeves (1870‚Äì1967) and Harry Clarke. Through Clarke she obtained a commission to illustrate Sterne’s A Sentimental Journey (London, 1926). She attended the Chelsea Polytechnic in London before spending the 1920s working in Dublin as a book illustrator and stage designer.

She settled in 1925 in Wicklow and was involved in the literary and theatrical life of Dublin, designing for the Abbey and Peacock theatres and illustrating W. B. Yeats’s Stories of Red Hanrahan (London, 1927).

On Mainie Jellett’s advice she went to Paris in 1929 to study with André Lh√¥te and came under the influence of the Ecole de Paris.

She married the editor Geoffrey Phibbs, but they divorced in 1930 after Phibbs had left her more than once, notably for the poet Laura Riding.

From there she moved to London where she was a member of Lucy Wertheim’s ‘Twenties Group’ and of the avant-garde London Group. From 1937-39 she lived in New York. After New York, she returned to Ireland in 1939, settled in Dublin and concentrated on painting. She died in County Dublin.

Although her work remained figurative, she painted vivid, highly coloured landscapes; her work shows the cubist influence of Lhote and she was associated with the modern movement in Ireland. She helped found the Irish Exhibition of Living Art in 1943 and became its president in 1944 after the death of Mainie Jellett.

With Nano Reid she represented Ireland in the 1950 Venice Biennale. This was the first time Ireland participated in this international exhibition. By 2017, the official list of artists representing Ireland since 1950 showed that the majority of artists chosen in the years since McGuinness and Reid’s participation were women. She was elected an honorary member of the Royal Hibernian Academy in 1957, but later resigned.

There was a retrospective of her work in the Douglas Hyde Gallery, Trinity College Dublin in 1968, and in 1973 the college awarded her an honorary doctorate. Her work featured in IMMA’s 2013 Analysing Cubism’ exhibition.

Work in collections, Crawford Art Gallery, Cork,The Irish Museum of Modern Art,The National Gallery of Ireland,Portrait of Michael Scott, Portrait of Denis Johnston,The Startled Bird, Dublin City Gallery The Hugh Lane, The Victoria and Albert Museum London The Arts Council of Ireland,The Arts Council of Northern Ireland, including Inlet (1976)

Meath County Council, including The Ochre Mines, Avoca (1955?),The National Library of Ireland.

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THE ARTIST

Phyllis Dodd
Phyllis
Dodd
1899 - 1995

Phyllis Dodd achieved considerable success from early on in
her prolific career. Studying at the Liverpool School of Art from
1917’21, she received a Royal Exhibition Scholarship and
attended the Royal College of Art for four years ‘ alongside Henry
Moore (1898’1986), Raymond Coxon (1896’1997) and Edna
Ginesi (1902’2000), with whom she would remain friends for the
rest of her life ‘ winning the Drawing Prize in her final year. 

From 1925 to 1930 she taught part-time at Walthamstow
Technical College. In 1928, she married the artist Douglas
Percy Bliss (1900’1984) and they worked alongside each other,
exhibiting together at Derby Art Gallery in 1947. She also
exhibited at the NEAC, the RA, the RP, the Walker Art Gallery
and the RSA, and in 1989 the Hatton Gallery at Newcastle
University held a large retrospective exhibition to celebrate her
ninetieth birthday.

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