Privately Held

Evelyn Dunbar (1906 - 1960)

Studies and sketches for Putting on Anti-Gas Protective Clothing, 1940

SKU: 11061
pen and ink

Size:
Height – 38cm
Width – 56cm

DESCRIPTION

Provenance:
The Artist’s Estate; Private collection
Presentation:
folio

Completed in June 1940, Putting on Anti-Gas Protective Clothing, now in the Imperial War Museum, was the first of
Dunbar’s war paintings. Immediately on her appointment the previous April as an official war artist she was posted to
Bisham Abbey, Berkshire, where the Women’s Voluntary Service organised training courses, later taken over Civil
Defence, to relieve civilian war casualties, particularly by bombing and the expected enemy gas attacks. (In the event,
gas was never used.) In July 1940 the National Gallery included this painting in an exhibition of wartime art. It was also
included in the Britain at War exhibition at the Museum of Modern Art in New York the following year.

The nine boxes seen in this study were eventually reduced to six in the final composition, to compact the progression
and give it more urgency.

Disclaimer:
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THE ARTIST

Evelyn Dunbar
Evelyn
Dunbar
1906 - 1960

Evelyn Dunbar studied at Rochester School of Art, Chelsea School
of Art (1927) and the Royal College of Art (1929’33). She painted
murals from 1933 -36 at Brockley School, a collaboration with her
RCA tutor (and lover) Cyril Mahoney (1903’1968) and in 1937
they wrote and illustrated together Gardeners’ Choice. 

In 1938 she set up the Blue Gallery in Rochester, exhibiting her
own work alongside that of Edward Bawden (1903’1989) and
Barnett Freedman (1901’1958) and others. In 1940 she was
appointed an official war artist, becoming the only woman (amongst
36 men) to be given a full time salaried position by the WAAC. 

She held her only solo exhibition at Withersdane, Wye, Kent
in 1953, although the WAAC included numerous pieces in touring
exhibitions ranging from Aberdeen Art Gallery to MOMA, New York. 

A posthumous exhibition was held in 2006 at St Barbe
Museum and Art Gallery, and in 2015 Liss Llewellyn mounted a
major retrospective of her recently rediscovered studio at Pallant
House Gallery. 

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August, c. 1937
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The Parlement of Foules, 1933-1936
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Gadshill House,1937
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Study for personification of June for Country Life 1938 Gardener’s Diary, subsequently not used.
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Roses From Our Garden, Nov. 3rd 1926′
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Wheelbarrow Study
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Picking Fruit
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Shall We Gather by the River, c. 1925
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Industry and Sloth, c.1932
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Invitation to the Garden, circa 1938
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RCA Sketch Club Summer Camp, 1930
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Portrait of a Musician, 1924
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The Conservatory at the Cedars
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A diagrammatic explanation of trenching or double digging
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Seated Model with Hairstyle ‘à la poissarde’, circa 1931
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An Artist at His Easel (probably Robert Lyon), late 1920s
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Studies and sketches for Putting on Anti-Gas Protective Clothing, 1940
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Study of a WAAF at RAF Gravesend, 1944
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Studies of Leaves, 1930’s
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The Artist at Her Drawing Board, mid-1920s
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August, 1937
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Studies of vignettes for Country Life, 1938
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Joseph’s Dream, 1938
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The Garden at the Elms, Winter, 1956
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Study for Gardener’s Choice: Himalayan Primrose with vignettes of a gardener to the margins
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December for the Country Life 1938 Gardeners Diary
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Design for June for the Country Life 1938 Gardeners Diary
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Princess Caroline
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Study of a young unidentified woman looking into a mirror.
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Woman Selling Watermelon Slices, West Indies
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Joseph in Prison, 1949-50
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Study for July, Gardeners Diary 1938, 1937
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Drawing of Cyclamen neapolitanum and Cyclamen Coüm for Gardeners’ Choice, 1937
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Study II for designs for an embroidered quilt [HMO 689]
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Self-portrait, [HMO 766], 1958
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Jacobs Dream, 1960
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Men Stooking and Girls Learning to Stook. 1940
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Singling Turnips, 1943
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Study at Sparsholt Farm Institute for A Land Girl and the Bail Bull, 1944 [HMO 40]
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Seven Days
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April,1937
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Sacking Potatoes, 1948
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Colour study for sub-gallery spandrels at Brockley County School for Boys [HMO 551]
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The Dunbar family in the Garden at The Cedars, Spring (Version 1), c.1928 (HMO 75)
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Portrait of the Artist’s Mother, Florence, on a Bentwood Rocking Chair, c.1930
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Go Shell, proposed design for Shell petrol. c.1937 [HMO 751]
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Land Workers at Strood, c. 1938
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The Childrens Shop: mice (recto), birds (verso) [HMO 749]
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Sleeping Beauty, 10 minute sketch, c.1928 (HMO 786)
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Milking Practice with Artificial Udders, 1940
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Autumn and the Poet, 1948-1960
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Portrait of the artist Margaret Goodwin