Mary Adshead (1904 - 1995)

Portrait of Daphne Charlton, c. 1935

£11,950

SKU: 5600
Oil on canvas
35 x 24 in. (89 x 61 cm.)

Size:
Height – 89cm
Width – 61cm

1 in stock

DESCRIPTION

Provenance:
The artist’s son
Presentation:
framed

Exhibited: ‘For Real: British Realists from the 20s and 30s’, Museum MORE, Gorssel (September 15th, 2019 ‚Äì January 5th, 2020).

Provenance: The artist’s son

Daphne Charlton, born 1909, was a student at the Slade School of Art, some four years younger than her fellow student Mary Adshead. Charlton later sat on two occasions for Stanley Spencer – his portrait of her of 1940 is in the collection of the Tate Gallery.

A self-portrait of the artist may also be seen in the Burgh House and Hampstead Museum.

Disclaimer:
Liss Llewellyn are continually seeking to improve the quality of the information on their website. We actively undertake to post new and more accurate information on our stable of artists. We openly acknowledge the use of information from other sites including Wikipedia, artbiogs.co.uk and Tate.org and other public domains. We are grateful for the use of this information and we openly invite any comments on how to improve the accuracy of what we have posted.

THE ARTIST

Mary Adshead
Mary
Adshead
1904 - 1995

Mary Adshead studied at the Slade School of Fine Art (1920’24)
under Henry Tonks (1862’1937), who in 1924 selected her for a
mural commission at Highways boys’ club in Shadwell, working
with Rex Whistler (1905’1944). 

She became a prominent muralist, creating decorations for
both public and private spaces, including the British Pavilion at
the 1937 Paris International Exhibition. She also illustrated several
books, such as The Little Boy and His House by Stephen Bone
(1904’1958) (whom she married in 1929), and made designs for
London Transport and the Post Office. 

As a noteworthy female artist, Adshead exhibited frequently
at the WIAC from the mid ‘1930s, before serving on their
committee in 1951. Working at a time when expectations of
women were still largely confined to issues of domesticity, her
prodigious professional output was noteworthy. Her approach to
mural painting ‘ especially in her choice of subjects and her colourful
palette ‘ challenged the perceived divisions which determined that
public and private spaces should necessarily be treated differently. She
was the subject of a retrospective at Liverpool Art Gallery in 2005.

MORE PICTURES BY ARTIST

Mary Adshead (1904 - 1995)
Street Scene, c. 1930
£1,950
Mary Adshead (1904 - 1995)
A Tropical Fantasy, c. 1926
Sold
Mary Adshead (1904 - 1995)
Portrait of a Woman Knitting
Sold
Mary Adshead (1904 - 1995)
On the Beach
Sold
Mary Adshead (1904 - 1995)
Still Life with Gloves, circa 1935
Sold
Mary Adshead (1904 - 1995)
Portrait of Marjorie Gertler, 1931
Mary Adshead (1904 - 1995)
The Little Boy and His House, 1936
£1,375
Sold
Mary Adshead (1904 - 1995)
A Culinary Map of Britain, (Design for glass map for Paris Exhibition 1937 )
Forthcoming
Mary Adshead (1904 - 1995)
Livestock Market, (recto) Picking Tealeaves (verso), circa 1930
Mary Adshead (1904 - 1995)
Beth Tomalin
Mary Adshead (1904 - 1995)
Still-life of Poinsettia with Leopard Skin, c. 1935
£9,750
Sold
Mary Adshead (1904 - 1995)
The Old Rolls on Bodmin Moor, circa 1950
Sold
Mary Adshead (1904 - 1995)
For Fun, early 1960’s
Mary Adshead (1904 - 1995)
The Landladys Daughters, Llanbedre, near Harlech, c. 1941
£8,950
Sold
Mary Adshead (1904 - 1995)
British Restaurant Coventry After Dinner, 1941
Mary Adshead (1904 - 1995)
Lunette design for a school mural, 1930’s
£2,300
Mary Adshead (1904 - 1995)
Portrait of Daphne Charlton, c. 1935
£11,950
Sold
Mary Adshead (1904 - 1995)
High Rise, circa 1960
Mary Adshead (1904 - 1995)
Garison Lane Nursery Training School, circa 1930
£1,400
Sold
Mary Adshead (1904 - 1995)
Nursery Designs
Mary Adshead (1904 - 1995)
Farmers ploughing, Study for The World’s Food mural, c. 1942
£1,100
Mary Adshead (1904 - 1995)
Scenes from the Life of Christ: Preaching the Gospel, mid-1920s
£6,750