Privately Held

Winifred Knights (1899 - 1947)

Self Portrait as Little Miss Muffet, June 1918

SKU: 7564
Signed and dated June 1918. Ink and watercolour on paper.

Size:
Height – 27cm
Width – 27cm

DESCRIPTION

Provenance:
Private Collection
Presentation:
framed
literature:
Llewellyn, Sacha, and Paul Liss. Portrait of an Artist. Liss Llewellyn, 2021, p.268.

A pen & ink and watercolour illustration depicting Little Miss Muffet (June 1918) reveals a strong sense of design which marks a clear departure for Knight’s  more conventional, earlier Art-Nouveau-inspired compositions,  such as Goblin Market.  Knights portrays herself as the protagonist, the horizontal vertical strips of her dress offset by her headscarf plain field of colour. The treatment of face and hands ‚Äì elongated and symmetrical, with strong outline and an emphasis on the underlying anatomical geometry – would now become a defining characteristic of her figurative work.

Winifred Knights, Sasha Llewellyn, Lund Humphries, 2016.p 45

Arnold Mason, Portrait of Winifred Knights

(Royal Collection), 1919

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THE ARTIST

Winifred Knights
Winifred
Knights
1899 - 1947

Winifred Knights was born in Streatham, London in 1899. She studied at the Slade School of Fine Art (1915’17, 1918’20 and 1926’27) . In 1919 she jointly won the Slade Summer Composition Competition with A Scene in a Village Street with Mill-Hands Conversing. In 1920, she became the first woman to win the Scholarship in Decorative Painting awarded by the British School at Rome. She remained in Italy until December 1925, marrying fellow Rome Scholar Thomas Monnington (1902’1976) in April 1924. On her return to England, Knights received a commission to paint an altarpiece for the Milner Memorial Chapel in Canterbury. A major commission for the Earl of Crawford and Balcarres, on which she had been working for five years, remained unconcluded at her early death, aged 47.
Throughout her life, Winifred Knights produced work through which she explored women’s autonomy. Presenting herself as the central protagonist, and selecting models from her inner circle, she rewrote and reinterpreted fairy tale and legend, biblical narrative and pagan mythology. She was the subject of a retrospective exhibition at Dulwich Picture Gallery in 2016.

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