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Winifred Knights (1899 - 1947)

Study of Bluebells, circa 1937

SKU: 9525
tempera on canvas, 17 x 9 3⁄4 in. (43 x 25 cm)

Size:
Height – 43cm
Width – 25cm

DESCRIPTION

Provenance:
The Artist’s son; thence by descent
Presentation:
framed

In 1937, Knights was commissioned by the Earl of Crawford and Balcarres to produce a large decorative painting (6 x 10 ft) of The Flight into Egypt for Balcarres Castle.The narrative was set on the banks of a stream covered in bluebells . By the time World War II was declared, Knights had partially completed the painting, with the spring flowers and foliage of the riverbank rendered with elaborate and minute detail. As a result of Knights’ sudden death in 1947, the painting was never realised.

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THE ARTIST

Winifred Knights
Winifred
Knights
1899 - 1947

Winifred Knights was born in Streatham, London in 1899. She studied at the Slade School of Fine Art (1915’17, 1918’20 and 1926’27) . In 1919 she jointly won the Slade Summer Composition Competition with A Scene in a Village Street with Mill-Hands Conversing. In 1920, she became the first woman to win the Scholarship in Decorative Painting awarded by the British School at Rome. She remained in Italy until December 1925, marrying fellow Rome Scholar Thomas Monnington (1902’1976) in April 1924. On her return to England, Knights received a commission to paint an altarpiece for the Milner Memorial Chapel in Canterbury. A major commission for the Earl of Crawford and Balcarres, on which she had been working for five years, remained unconcluded at her early death, aged 47.
Throughout her life, Winifred Knights produced work through which she explored women’s autonomy. Presenting herself as the central protagonist, and selecting models from her inner circle, she rewrote and reinterpreted fairy tale and legend, biblical narrative and pagan mythology. She was the subject of a retrospective exhibition at Dulwich Picture Gallery in 2016.

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Compositional study for The Flight into Egypt, circa 1938
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Study for the Marriage at Canna with a Self-portrait, circa 1923
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Portrait of Colin Gill, c.1921
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Colour Study for Foreground Figure of Woman Combing her Hair, Santissima Trinita, mid 1920’s
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Owl, circa 1922
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Study for Blue Bells, circa 1937
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Study of Bluebells, circa 1937
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Study for the Marriage at Cana, seated nude, three quarter frontal view, circa 1924
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Illustration to Algernon Blackwood’s The Centaur, 1915
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Illustration to Algernon Blackwood’s The Centaur, 1915
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Self Portrait, circa 1916
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Self Portrait inspired by a fashion plate, circa 1914
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Study of Ophrys Bertolonii, commonly known as Bertoloni’s Bee Orchid, circa 1925
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Portrait Study of Colin Gill, c.1921
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Study for St Martin’s Altarpiece, Canterbury Cathedral, circa 1932
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Self Portrait as Little Miss Muffet, June 1918
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Study of a Seated Woman for The Santissima Trinita
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Cartoon for Scenes from the Life of Saint Martin of Tours
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A View to the East from the British School at Rome
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Compositional study for Pompilia
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Study of the exterior of a house by Lake Piediluco
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Early compositional study for The Deluge
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Self-portrait sketching at a table
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The Potato Harvest
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Self-portrait
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Study for Jairus’ Daughter
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Mabel Knights seated in a hayfield
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Leaving the Munitions Works, 1919
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Study of Lineholt Farmhouse Facade, c. 1932
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Figure study, St Martin’s altarpiece, circa 1928
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Study for St Martin altarpiece, angel from the waist down
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Study of a Walnut tree for Scenes from the Life of Saint Martin of Tours, circa 1930
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Landscape study for Santisima Trinita, circa 1924
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Portrait of Arnold Mason, circa 1919
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Italian Landscape, circa 1924
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Study for the Marriage at Cana, circa 1923
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Study for Scenes from the Life of St Martin of Tours, circa 1929
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Figure Study, Scenes from the Life of St Martin of Tours, circa 1929
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The original cartoon for The Deluge, 1920
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Study for ‘Design for Wall Decoration’ – Three Women Bearing Baskets of Apples, circa 1918
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Landscape study for Santissima Trinita, circa 1924