SKU: 11190
Barnett Freedman
(1901 - 1958)
The farmer and his wife, at the roadside, mid 1920’s
£1,900
Private Collection
Barnett Freedman (1901 - 1958)
Two lithographs in colours, 1936, printed by Curwen Press
Size:
Height – 100cm
Width – 126cm
Literature: Mason, Emma, Barnett Freedman, Designs for Modern Britain, Pallant House Gallery, 2020, p. 99
The Curwen Press was founded in 1863 to print music. After Harold Curwen joined in 1908, it began to print high quality limited edition books and did much to advance the use of colour lithography. When Oliver Simon joined he used his contacts with the Royal College of Art employing artists such as Paul Nash and Edward Bawden.
Theatre is considered to be one of Freedman’s most successful large scale designs. It’s male counterpart is entitled Circus.
Both were produced in a variety of sizes, as hand-bills and posters.
Illustrator, painter, printmaker and teacher, Freedman was born to Russian Jewish immigrants living in poverty in the East End of London. In 1916, he worked as draughtsman to a monumental mason, and at the same time took evening classes at St Martin’s School of Art. In 1922, he won a three-year scholarship to the Royal College of Art. In 1928, he joined the staff of the Royal College, and not long afterwards began to teach at the Ruskin School of Art, Oxford. He soon became a pioneer in the revival of colour lithography. He was an Official War Artist in World War II. By the time of his death Freedman had established an enviable reputation as an illustrator and designer of posters, stamps, books and book-jackets. He believed that there was no such thing as commercial art, ‘only good art and bad art’. His first exhibition was held in 1929 at the Literary Bookshop, Bloomsbury. A memorial exhibition was organised by the Arts Council in 1958. Manchester Polytechnic, which holds the Freedman archive, held a major show in 1990. Examples of his work are in the collection of the Tate Gallery.
With thanks to artbiogs.co.uk
