Barnett Freedman (1901 - 1958)

Anna Karenina, 1951

£350

SKU: 10611

Colour lithograph on wove paper 

Barnett Freedman estate stamp 

37 8/10 x 26 in. (96 x 66 cm)

Size:
Height – 96cm
Width – 66cm

1 in stock

DESCRIPTION

Provenance:
The Artist’s Studio
Presentation:
_folio

This is a test sheet for the proof book illustrations of Tolstoy’s Anna Karenina, Cambridge University Press, 1951 – one of Freedman’s most accomplished achievements in the field of book illustration.  Issued as part of the Limited Editions Club in 1951 the publication comprised two volumes bound in cloth decorated with lithographic drawings by Barnett Freedman drawn on and printed from a phenominal 225 stones, printed  at the Curwen Press. 

Disclaimer:
Liss Llewellyn are continually seeking to improve the quality of the information on their website. We actively undertake to post new and more accurate information on our stable of artists. We openly acknowledge the use of information from other sites including Wikipedia, artbiogs.co.uk and Tate.org and other public domains. We are grateful for the use of this information and we openly invite any comments on how to improve the accuracy of what we have posted.

THE ARTIST

Barnett Freedman
Barnett
Freedman
1901 - 1958

Illustrator, painter, printmaker and teacher, Freedman was born to Russian Jewish immigrants living in poverty in the East End of London. In 1916, he worked as draughtsman to a monumental mason, and at the same time took evening classes at St Martin’s School of Art. In 1922, he won a three-year scholarship to the Royal College of Art. In 1928, he joined the staff of the Royal College, and not long afterwards began to teach at the Ruskin School of Art, Oxford. He soon became a pioneer in the revival of colour lithography. He was an Official War Artist in World War II. By the time of his death Freedman had established an enviable reputation as an illustrator and designer of posters, stamps, books and book-jackets. He believed that there was no such thing as commercial art, ‘only good art and bad art’. His first exhibition was held in 1929 at the Literary Bookshop, Bloomsbury. A memorial exhibition was organised by the Arts Council in 1958. Manchester Polytechnic, which holds the Freedman archive, held a major show in 1990. Examples of his work are in the collection of the Tate Gallery.

With thanks to artbiogs.co.uk

MORE PICTURES BY ARTIST

Barnett Freedman (1901 - 1958)
The farmer and his wife, at the roadside, mid 1920’s
£1,900
Private
Barnett Freedman (1901 - 1958)
Theatre, Go By Underground, 1936
Sold
Barnett Freedman (1901 - 1958)
Circus – Go By Underground, 1936
Sold
Barnett Freedman (1901 - 1958)
Jane Eyre, 1955
Sold
Barnett Freedman (1901 - 1958)
Charades, 1937
Barnett Freedman (1901 - 1958)
Anna Karenina, Large Uncoloured Proof, 1951
£200
Barnett Freedman (1901 - 1958)
Epsom Spring Meeting
£975
Barnett Freedman (1901 - 1958)
Ghost Stories
£300
Barnett Freedman (1901 - 1958)
Anna Karenina, 1951
£350
Barnett Freedman (1901 - 1958)
Street Scene at Night
£875
Sold
Barnett Freedman (1901 - 1958)
Trench, Design for Siegfried Sassoon’s Memoirs of an Infantry Officer, c. 1931
Sold
Barnett Freedman (1901 - 1958)
The Sleeping Dead, Design for Siegfried Sassoon’s Memoirs of an Infantry Officer, c. 1931
Sold
Barnett Freedman (1901 - 1958)
Swaledale, the original painting for the You Can Be Sure of Shell poster, circa 1932
Barnett Freedman (1901 - 1958)
Anna Karenina, Uncoloured Proof, 1951
£200
Sold
Barnett Freedman (1901 - 1958)
Night, c. 1931
Barnett Freedman (1901 - 1958)
Two Vignettes, Design for Siegfried Sassoon’s Memoirs of an Infantry Officer c. 1931
£900
Sold
Barnett Freedman (1901 - 1958)
Bomb Damaged Houses, Design for Siegfried Sassoon’s Memoirs of an Infantry Officer c. 1931
Sold
Barnett Freedman (1901 - 1958)
Christmas card, 1954
Sold
Barnett Freedman (1901 - 1958)
Claudia Writing by Lamplight
Barnett Freedman (1901 - 1958)
Nude, mid-1920s
£975
Barnett Freedman (1901 - 1958)
Portrait of a young woman looking to her left, 1926
£950
Sold
Barnett Freedman (1901 - 1958)
Purim Party, circa 1934
Sold
Barnett Freedman (1901 - 1958)
Portrait of Sam Rabin, c. 1925
Sold
Barnett Freedman (1901 - 1958)
Trial proof for People, 1947
Sold
Barnett Freedman (1901 - 1958)
The Window Box, 1954
Barnett Freedman (1901 - 1958)
Four Men – Street Players, circa 1926
£1,250
Barnett Freedman (1901 - 1958)
The Artist’s Wife, Claudia (née Guercio) at Stanhope Street, c.1926
£7,750
Barnett Freedman (1901 - 1958)
Sketch for Portrait of Young Man, mid-1920s
£9,750
Sold
Barnett Freedman (1901 - 1958)
East end of London, night time street scene, late 1920’s
Sold
Barnett Freedman (1901 - 1958)
The artist studio with life model, figure in doorway and artist at work, mid 1920’s
Sold
Barnett Freedman (1901 - 1958)
God save our Queen, 1953
Barnett Freedman (1901 - 1958)
Portrait of Claudia Guercino, the Artist’s Future Wife
£1,950
Barnett Freedman (1901 - 1958)
Man Sweeping Terraced House, circa 1926
£1,750
Barnett Freedman (1901 - 1958)
Study for Stanhope Street group, circa 1926
£950
Barnett Freedman (1901 - 1958)
Study for the Stanhope Street group, circa 1926
£975
Barnett Freedman (1901 - 1958)
Early study for the Stanhope Street Group, c.1926
£1,850
Barnett Freedman (1901 - 1958)
Study for Street Scene, circa 1933
£1,900
Barnett Freedman (1901 - 1958)
Study for Charade, circa 1936
£3,950
Forthcoming
Barnett Freedman (1901 - 1958)
Streamers and Heads, Drawing for Festival Poster, 1951
Barnett Freedman (1901 - 1958)
Couple in a restaurant, mid 1920’s
£2,500
Sold
Barnett Freedman (1901 - 1958)
Design for ‘The King’s Stamp’, November 1935.
Barnett Freedman (1901 - 1958)
The Stanhope Street Group, 1926
Barnett Freedman (1901 - 1958)
15-inch Gun Turret, HMS Repulse, 1941
£975