Spencer’s landscapes were usually painted en plein air, and rarely include figures. The enigmatic figure in the foreground of this painting implies that this is partly an imaginative composition. The distinctive profile of Terwick Mill was probably painted from sketches made the previous year, while Spencer was visiting nearby Iping, where he painted View from Iping House (c. 1931, untraced) and Spring at Iping (c. 1931, untraced).
The date on this helped to narrow down potential candidates from the list of works exhibited around this time, and Terwick Mill can be identified in this 1948 photograph. The Mill has been converted to a residential property and was recently on the market with Savills.
We are grateful to Paul Gough and Amy Lim for providing this information through their online catalogue.