Forthcoming

Spencer, Gilbert

(1892 – 1979)

Study for Hebridean Memory, 1951

SKU: 5559

Signed in pencil, Gilbert Spencer (br) and titled, Hebridean Memory (lower margin)
Watercolour, pen and ink, pencil on paper, squared for transfer in
pencil.

Size:
Height: 50.8cm
Width: 75.9cm

DETAILS

Provenance:
A gift from the artist to the previous owner in 1973.
Presentation:
framed

DESCRIPTION

 Annotated and further signed in pencil by the artist on the occasion of
the work being given to the previous owner in 1973; In 1938 we stayed
on Canna (Inner Hebrides) with the Laird Campbell and his wife for 6
weeks & I felt that I would like to do…(inscription unreadable)…island
floating like a boat as seen from offshore’
Annotations and colour trials in the lower margin.
Pencil drawing verso.

Provenance: A gift from the artist to the previous owner in 1973.

Gilbert Spencer painted Hebridean Memory, a landscape set on the small Island of Canna in the Scottish Inner Hebrides. He had holidayed there in 1947, staying with John Lorne Campbell who had bought Canna outright in 1938, and was now living there as its Laird with his wife
Margaret in the prominent harbour property Canna House. Spencer and Campbell had been friends since the 1930s when they met in Oxford, where Spencer had been painting a series of murals depicting the Foundation of Bailliol College and Campbell was doing post-graduate work.
Hebridean Memory depicts several of Canna’s landmarks and the locals going about island activities ‚Äì farming and lobster and mackerel
fishing ‚Äì whilst visitors sunbathe. Rum features in the distance with MacBrayne’s steamer on its way over. A vision of contentment and plenty, the only incongruity is the man with the gun: Campbell, who wanted the island to be a sanctuary for wildlife, did not allow shooting. The composition also includes a whimsical depiction in the right foreground of the artist and his older brother Stanley as their younger selves.
Spencer has written about the trials of working on such a large-scale canvas, and that Hebridean Memory took him three years (with several incarnations) to achieve. After Sixty Paintings for 51′ it was shown at the RA in 1955, but this is the first time it has been exhibited since then.

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THE ARTIST

Spencer, Gilbert

1892 – 1979

Painter, especially of landscapes, draughtsman, teacher and writer, and brother of the painter Stanley Spencer. Born at Cookham, Berkshire. Spencer studied at Camberwell School of Arts and Crafts, woodcarving at the Royal College of Art, 1911-12, then with Fred Brown and Henry Tonks at the Slade School of Fine Art, 1913-20. Between 1915 and 1919 he served in the army. Spencer had his first one-man show at the Goupil Gallery in 1923; he also exhibited at the RA (he was elected RA in 1960), NEAC, (of which he was a member), Leicester Galleries, RSA, Redfern Gallery and many other venues. Although he produced notable wall paintings for Holywell Manor, Oxford, 1934-6, Spencer made his name as a landscape artist working mainly in the English southern counties. At various times he taught at the Royal College of Art, Glasgow School of Art and Camberwell, serving meanwhile as an Official War Artist, 1940-3. His book Stanley Spencer appeared in 1961 and his autobiography, Memoirs of a Painter, in 1974. A retrospective exhibition was held at Reading in 1964. The Tate and many other public collections hold his work. He sometimes just signed his work GS. He lived in Hampstead and towards the end of his life near Reading, Berkshire.

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God Creating the World, 1934
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Man at a Sluice Gate on the Thames
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Aberdovey, 1953
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Portrait of a Glaswegian lady
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Two calves, 1930
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Portrait of a Soldier, circa 1940
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Gehazi and Naaman, mid 1930’s
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The Goal, c. 1930
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The Enemy, circa 1942
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Home Guard Duties
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The Parade Ground
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Portrait of Doreen Harter, mid 1920’s
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Darling, what have you done with my battledress?, 1941
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Shoeing ‘Orses
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Protective Covering
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Apples in a Basket circa 1913
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Gilbert Spencer
Study for Hebridean Memory, 1951

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