On Loan

Kathleen Guthrie (1905 - 1981)

Poppies with blow paint

SKU: 694
Signed in pencil, inscribed Poppies on reverse, 35 gns,Kathleen Guthrie 6 Mall Studios Tasker Road NW3 Pen and ink and watercolour, 12 7/8 x 8 7/8 in. (32.7 x 22.5 cm), framed : 16 1/2 x 12 1/2 in. (42 x 31.5 cm.)

Size:
Height – 32.7cm
Width – 22.5cm

DESCRIPTION

Provenance:
Private Collection
Presentation:
passe-partout

Flowers were a subject which pre-occupied Guthrie from the mid 1930’s to the late 1960’s.

Exhibited: Sanctuary, Artist-Gardeners, 1919-39, Garden Museum, London, 25th February – 5 April, 2020

Literature: Christopher Woodward, Sanctuary: Artist-Gardeners, 1919–1939, published by Liss Llewellyn, 2020

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THE ARTIST

Kathleen Guthrie
Kathleen
Guthrie
1905 - 1981

Kathleen Guthrie (1905-1981) studied at the Slade School under Henry Tonks, (1922-24) and at the Royal College of Art (1925). At the Slade she met Robin Guthrie (1902-1971) whom she married in 1927. In 1930 Robin Guthrie and Rodney Burn (1899-1984), a fellow student from the Slade, were invited, on the recommendation of Tonks, to go to America and become co-directors of the Boston School of Fine Art. This two year appointment allowed Kathleen to see the New England countryside, especially around Wilmington, Vermont, where they spent the summer vacations. In 1932 she had a solo show of figure paintings and landscapes at Boston’s Stace Home Gallery.

From the 1930’s onwards Kathleen exhibited widely, especially at The New English Art Club and The Royal Academy. Her work from this period, which consisted mostly of still-lifes, landscapes and genre scenes, was painted in a whimsical figurative style.

In 1941, following the breakdown of her marriage to Robin Guthrie, Kathleen married Cecil Stephenson, a member of the group of constructivist artists led by Ben Nicholson. From this point on her work moved increasingly towards abstraction. In the 1960’s she embarked on her Camelot Series, bold, hard-edged compositions of contrasting forms arranged as pure fields of colour. These formed the main body of work exhibited in 1963 at the New End Gallery and her retrospective at the Drian Galleries in 1966.

In the mid 1960’s Kathleen was introduced to silk screen printing and become one the most accomplished practitioners of her generation. The main body of these works were inspired by paintings from her Camelot series and Stephenson’s iconic images including Egg Tempera 1936 and Egg Tempera 1937.

With thanks to artbiogs.co.uk

EXHIBITION LIST

Individual exhibitions:
1932 Grace Horne Gallery, Boston, USA 1947 Little Gallery, Piccadilly, London 1951 Kalman Gallery, Manchester
1963 New End Gallery, Hampstead, London 1966 Drian Gallery, London 1968 The Art Gallery, Brighton
1968/69 Trentham Gallery, Emsworth, Hampshire 1970 Forge Gallery, Cookham, Middlesex
1972 Erica Bourne Gallery, Golders Green, London 1974 Camden Arts Centre, Finchley, London 1977 Coach House Gallery, Guernsey 1977 Centaur Gallery, Highgate, London

Group exhibitions(WIAC, Free Painters, Hampstead Artists Council, London Group, etc.), at: King Street Gallery, Cambridge
AIA Gallery, London
New Vision Centre, London
FBA Gallery, Suffolk Street, London (WIAC & FP)
Gallery Greuze, Paris, France
Pittsburgh, USA
Galleria Numero, Florence (WIAC)

Mixed exhibitions, at:
London Galleries: Goupil Gallery, Royal Academy, National Gallery (war pictures official purchase), London Group, Redfern Gallery, Leicester Galleries, Gimpel Fils, Whitechapel Art Gallery (Guggenheim Award Exhibition), Drian Gallery
Others: Galerie HervŽ , Paris; Leicestershire County Hall

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Kathleen Guthrie (1905 - 1981)
Wales, circa 1945-1950
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Large Blue and Yellow Abstract, 1960’s
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Kathleen Guthrie (1905 - 1981)
Wales III, circa 1960
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Convalescence
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Psychedelic stripes, circa 1970
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Blue green upright, circa 1970
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Verticals, circa 1970
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Kathleen Guthrie (1905 - 1981)
Flowers with Fish, circa 1950
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Kathleen Guthrie (1905 - 1981)
Cat and Flowers, late 1950’s
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Kathleen Guthrie (1905 - 1981)
Red Square, circa 1970
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Blue Green Picture, circa 1970
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Kathleen Guthrie (1905 - 1981)
Stewart Algernon McGuire bathing at night in front of the fire, circa 1970
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Kathleen Guthrie (1905 - 1981)
Girl on Sofa,circa 1970
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In the Country, circa 1960
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Kathleen Guthrie (1905 - 1981)
The Bicycle Ride, circa 1970
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Kathleen Guthrie (1905 - 1981)
From a painting by Cecil Stephenson 1938, circa 1960
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Kathleen Guthrie (1905 - 1981)
Five Colours, circa 1970
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Kathleen Guthrie (1905 - 1981)
Magenta III, circa 1969
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Kathleen Guthrie (1905 - 1981)
Four Colours, Brown and Grey, c 1970
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Kathleen Guthrie (1905 - 1981)
Four Colours, circa 1970
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Kathleen Guthrie (1905 - 1981)
Family Outing, circa 1970
On Loan
Kathleen Guthrie (1905 - 1981)
Surprise, circa 1970
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Kathleen Guthrie (1905 - 1981)
Afternoon Tea, circa 1970
On Loan
Kathleen Guthrie (1905 - 1981)
In the Park, circa 1970
On Loan
Kathleen Guthrie (1905 - 1981)
Landscape, circa 1970
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Kathleen Guthrie (1905 - 1981)
The Strawberry Hat
Reserved
Kathleen Guthrie (1905 - 1981)
Composition in blue, pink, red and crayon (Dazzle), circa 1960
Sold
Kathleen Guthrie (1905 - 1981)
Four Colours ,late 1960’s
On Loan
Kathleen Guthrie (1905 - 1981)
Red Centre Blue, circa 1969
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Kathleen Guthrie (1905 - 1981)
Original design for Triangular forms in grey and brown, 1960’s
Forthcoming
Kathleen Guthrie (1905 - 1981)
From a painting by Cecil Stephenson 1938
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Kathleen Guthrie (1905 - 1981)
Original Design for White, Red and Blue Circles in Square, c. 1939
Forthcoming
Kathleen Guthrie (1905 - 1981)
From a tempera painting by John Cecil Stephenson 1937
On Loan
Kathleen Guthrie (1905 - 1981)
Original collage design Camelot 2
On Loan
Kathleen Guthrie (1905 - 1981)
Poppies with blow paint
On Loan
Kathleen Guthrie (1905 - 1981)
Original design for 5 squares, late 1960’s
Sold
Kathleen Guthrie (1905 - 1981)
Blue Bird, 1960s
Sold
Kathleen Guthrie (1905 - 1981)
Ambience, 1966
Sold
Kathleen Guthrie (1905 - 1981)
Horizontal abstract, white, grey and brown, early 1960’s