Studies for Faith, Hope and Charity, an uncompleted allegory from Dunbar’s postwar years. A similar composition appeared on the artist’s and her husband Roger Folley’s Christmas card for 1950.
Picture to reverse;
Evelyn Dunbar (1906 - 1960)
£590
Size:
Height – 26cm
Width – 35.5cm
1 in stock
Studies for Faith, Hope and Charity, an uncompleted allegory from Dunbar’s postwar years. A similar composition appeared on the artist’s and her husband Roger Folley’s Christmas card for 1950.
Evelyn Dunbar studied at Rochester School of Art, Chelsea School
of Art (1927) and the Royal College of Art (1929’33). She painted
murals from 1933 -36 at Brockley School, a collaboration with her
RCA tutor (and lover) Cyril Mahoney (1903’1968) and in 1937
they wrote and illustrated together Gardeners’ Choice.
In 1938 she set up the Blue Gallery in Rochester, exhibiting her
own work alongside that of Edward Bawden (1903’1989) and
Barnett Freedman (1901’1958) and others. In 1940 she was
appointed an official war artist, becoming the only woman (amongst
36 men) to be given a full time salaried position by the WAAC.
She held her only solo exhibition at Withersdane, Wye, Kent
in 1953, although the WAAC included numerous pieces in touring
exhibitions ranging from Aberdeen Art Gallery to MOMA, New York.
A posthumous exhibition was held in 2006 at St Barbe
Museum and Art Gallery, and in 2015 Liss Llewellyn mounted a
major retrospective of her recently rediscovered studio at Pallant
House Gallery.