News Archive - Page 3 of 12

The National Portrait Gallery acquires The Agate

The Agate (Portrait of the Artist and his Wife), 1911 Signed with initials and dated 1911 Tempera on linen, 38 3/4 x 19 3/16

WW2: War Pictures by British Artists

Isobel Atterbury Heath, Woman Operating a Lathe, c.1944. Where to buy… WWII: War Pictures by British Artists at Morley Gallery Seven decades on, the

War Culture

War Pictures by British Artists Artwork commissioned by the War Artists Advisory Committee (WAAC) during the Second World War is due to go on

Winifred Knights, Dulwich Picture Gallery

By Marina Vaizey Self-portrait, 1920. A forgotten Slade alumnus restored to prominence Winifred Knights (1899-1947) was an impeccable draughtsman: her

Winifred Knights at the Dulwich Picture Gallery

Compositional study for The Deluge, 1920. Credit: The Estate of Winifred Knights Portrait of Winifred Knights, 1934. Credit: The Estate of Winifred Knights Scenes

Dealer sheds light on the forgotten Knights

Winifred Knights was an artists’ model as well as a painter in her own right. Photo courtesy of the Estate of Winifred Knights. ‘The

2 Nominations for Berger Prize for British Art History

Every year the William MB Berger Prize for British Art History is awarded to a scholarly publication that demonstrates outstanding achievement in the field

Charles Cundall – Salisbury & London

Study for a painting of the Steel Company of Wales, Newport, c.1958, oil on canvas, 26 x 30 in. (66 x 76.2 cm) Provenance:

Charles Cundall at Young Gallery, Salisbury

By Robin Simon Charles Cundall – A Working Method This is a chance to rediscover a master of 20th-century British art. Cundall died in

Frank Brangwyn at Rochester Cathedral

Liss Llewellyn Fine Art has organized an exhibition of Frank Brangwyn’s Stations of the Cross at Rochester Cathedral. On view from 18 February to

Attention to Detail

Winifred Knights, The front door of Line Holt Farm House By Andrew Lambeth Winifred Knights (1899 – 1947) was a painter of rare clarity.

Iain Gale on exhibitions

Italy, we all know, was the cradle of the Renaissance. The hold it has exerted over the art of other countries has, however, endured

Thomas Monnington at the Fine Art Society

The work of Thomas Monnington bridges the apparent divide between the abstract and the representational, which is the reason why this underrated artist aroused

Brangwyn show is down to the count

Last week when I previewed the imminent World of Drawings and Watercolour Fair, which will run at the Dorchester Hotel in London’s Park Lane

£10,000 sketch lined a trunk for 75 years

Winifred Knights, The Deluge A sheet of tracing paper which spent 75 years lining the bottom of an old trunk has been revealed as

Buy the best you can and enjoy it

John Hassall, c. 1900 With an important antiques fair opening at Olympia, Clare Stewart looks at art as an investment Anyone who has unwittingly

Finding the Ordinary in Formality

Charles Mahoney, The Garden, 1950 By Matthew Dennison Charles Mahoney was a 20th-century painter and muralist, who distilled into a relatively small body of