Clare Leighton (1898 - 1989)

Resting, 1931

£475

SKU: 5713
Signed by artist’s nephew, titled
Print of original woodblock
9 1/8 x 11 in. (23 x 28 cm)

Size:
Height – 23cm
Width – 28cm

1 in stock

DESCRIPTION

Provenance:
The Artist’s Estate; Private collection
Presentation:
folio
In 1931 Clare had the opportunity to spend some time in a lumber camp on the Quebec-Ontario border.  She had read Louis Hémon’s French Canadian classic, Maria Chapdelaine‚as an introduction to life in rural Quebec. The contrast between sparkling white snow and the darkness of the dense Canadian woods seemed especially suited to her favourite medium, and people at work had always been a favoured subject. At first the men of the camp were suspicious of this lone woman.  However, when she hid any fear at the howling of wolves and shared the men’s food and some of their hardships she won their respect. They told her their fantastic tales of Paul Bunyan, the god of the lumberjacks, and she was able to make numerous pencil sketches and notes. Clare’s diary, written at the time and copied word-for word below, shows her first impressions in a peculiarly immediate form. These notes and the sketches were the basis for her subsequent engravings on the boxwood blocks. The prints depict the lumberjacks’ life at a time when the only power in the remote forest lay in the muscles of men and horses.
February 16th, 1931: Took the train to Gracefield. Men in thick fur coats. Everybody knew each other – snow everywhere – queer patches of yellow ochre on the lakes where the snow was melting and marking a thaw. The hills’ curves showing simply, the sky dead blue-grey. Stopped at every station. When we reached Gracefield, passing dumps of logs etc., Mr Gray the overseer was on the same train and met me. A snowmobile met us and we drove through this sunless white to a hotel a mile off where we had a substantial meal – soup, masses of meat, potatoes, turnips and pie.
There were wonderful characters there – jobbers – in torn wool and thick boots.
They came up to Mr Gray and wanted jobs. One old French Canadian of 83 wanted to sell us axe handles. They all talked a strange French. After our hefty meal we started – this time in a team – two horses harnessed to a belled sleigh – covered ourselves with bearskins and set off for a 26-mile run to take 4 hours. Past rolling hills and fields of snow, the road very rough and each time we passed a pit in the road we were severely shaken.
Had wonderful feeling of ecstasy, the two horses’ rumps and tails flailing in front of us. Passed several broken-down settlements and saw large hills covered with trees in the distance. Through the bush of fir trees and
birch. Saw marks of deer and fox and rabbits. Saw a deer. The trees were weighed down with snow – the snow would be about three feet in height – and some of the stumps were looking like big night-caps. It would be in
occasional lumps on the fir trees and weighing down the branches. Up and down hills, past many little snow-covered lakes.
At last, at 5, we reached the depot. My room was small and bare and clean. I tidied and had a talk in the kitchen with the cook and his wife and the maid in French. Supper of meat and beans and potatoes and pie galore. Mr Mansell the clerk and a Norwegian youth were also at supper. I felt very solitary; talked about nothing. It appears there are wolves’ howls to be heard at night. Got very sleepy from the marvellous air.
February 17th:
Slept soundly; wakened by people in house at 5. Dead, heavy, leaden sky and snow falling. Left at 8.15 for Hatey’s Camp. Drove through the bush with all the fir trees outlined in white and heavy. Abundant shapes on the stumps. Passed some finished log cabins and crossed over an ice lake; to my horror it was all slushy and the horses’ feet sank in. However, Mr Gray said it was all right and we survived, but it was an experience. At 10.15 we arrived at Hatey’s camp – a clump of log cabins with heavy snow on top and icicles dripping down about six feet. We sat inside the office and I talked to fat, pleasant Mr Hatey and a strange, handsome clerk called Pat. All the men’s hair needed cutting and in some cases it fell down to their necks – nearly all French and wearing check windbreakers. I drew the bunks and the stove and the figures – everyone was so amazingly good-natured. We ate with the men in another hut, with tin mugs and tin plates and a longer tin jug of tea. One plate served for soup, pork, tomato sauce and prunes and cake. There was heaps to eat and wonderful roses on the oilcloth tablecloth. Hatey and Mr Gray and Pat were there, and the fat maiden who cooked. Always quantities of strong tea. After dinner we inspected the dump – thousands of logs on the lake. I drew them until the snow got too bad.
Saw several teams of lumberjacks who had broken camp. Pigs and a cow and many dogs. Then went across another lake up to see them loading. Drew it and photographed it. Then back to the lake and watched them landing.
Then went back with Pat and Hatey and had tea and left. Came across more frighteningly slushy lakes. Got back – all the way in slight snow – just at dusk. Don’t forget the little fir trees marking the road across the lake; if one stepped on the snow part one would have sunk.
February 18th:
Dark, grey day – snow falling. An unearthly quiet. Went to office and then started off for a high-up dump. We drove in the opposite direction past woods even more beautiful with snow. Crossed Eagle River on a little bridge, drove about six miles, up very steep hills that the ponies could hardly take. Passed several skidways of logs on river bank.
Finally in snow I drew quick sketches of logs etc. Back to lots of lunch.
In the afternoon walked down to lake to watch ice being cut. Looked at dam and on the way got up to over my knees in snow. I realised the cruelty of snow. The men were starting with the ice, cutting the key block.
It was almost two and a half feet deep and a beautiful pale blue in colour, with slush on top. Came back in their cart, standing, keeping balanced. Snow the entire time. I couldn’t work. Came back to office and met
Mr Hatey again, then went on snow-shoes across the fields. Tripped several times and fell deep in the snow. Always snowing. Came back to house and tidied and changed.
February 19th:
Wakened late – still snowing unceasingly. Telephoned to the Eric Brains (friends) then went for a walk alone through the bush and drew some shapes of snow on tree stumps.
Heard voices through the trees and tracked down on skidway and drew it as well as I could with the snow falling upon me. Back on the sleigh to the clearing and up to the depot, then wandered around and drew icicles and sleigh. After dinner drew men’s sleigh returning. Then walked out to the bush and picked up two men who selected a large pine and watched them cut it down. First they axed it at the side it was to fall, then sawed it and then, with a huge heave, it fell aslant on to balsams etc. Mr Gray held an umbrella over me so that I could draw it in the snow, and placed a bed of balsam boughs for me to sit on. I drew all stages of it. They then slashed at the boughs and proceeded to limb it. I drew that excitedly. Then they sawed it into logs – up to their knees in the snow.
Then we drove to the lake where they cut ice. Mr Gray helped while one of the men held my umbrella. I drew them. We drove back to the pathetic fallen tree (it had moved me strangely to see it fall like that) and Mr Gray made my bed and held the umbrella while I made a study of the trunk and boughs. We walked back to the depot and arrived worn and tired.
Quoted in Clare Leighton, The Growth and Shaping of An Artist-Writer, p. 37-45, Published by The Estate of Clare Leighton.

 

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THE ARTIST

Clare Leighton
Clare
Leighton
1898 - 1989

Clare Leighton attended the Brighton School of Art (1915), the Slade School of Fine Art (1921’23) and the Central School of Arts and Crafts. Despite her childhood nickname ‘The Bystander’, she became a hugely visible artist on both sides of the Atlantic, and her vast oeuvre includes engravings, paintings, bookplates, illustrations and stained glass. Her twelve plates for Wedgwood, New England Industries, 1952, are amongst her best-known work.

She exhibited with the SWE in London (1923) and at the 1934 Venice Biennale ‘ attaining full membership to the Royal Society of Painter-Etchers and Engravers in the same year. She also made several tours of the United States, becoming a naturalised citizen in 1945. By the time of her death, Leighton had authored twelve books and made over 840 prints.

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Clare Leighton (1898 - 1989)
The original designs for Southern Harvest, circa 1941
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Clare Leighton (1898 - 1989)
The Children Are an Heritage BPL 660, 1952
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Clare Leighton (1898 - 1989)
The Lord Reigneth BPL 655, 1952
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Clare Leighton (1898 - 1989)
The Reverend Hill’s Dream (BPL 499), 1942
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The Nativity
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The Reverend Hill Walks Away, BPL500, 1942
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Chopping Wood, (BPL 524), 1942.
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Clare Leighton (1898 - 1989)
Angels and Trumpets, The Vision Splendid, BPL 762 1965
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Clare Leighton (1898 - 1989)
In the Beginning, BPL 716 1955
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Clare Leighton (1898 - 1989)
Lopping, In the Beginning, BPL 210 1933
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Clare Leighton (1898 - 1989)
Those were Rolling Hills (Kentucky Scene), BPL 566 1944
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Clare Leighton (1898 - 1989)
The Sages, BPL 225 1933
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Clare Leighton (1898 - 1989)
Watermill, BPL 496 1942
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Clare Leighton (1898 - 1989)
Earth is the Lords. “Our Daily Bread”, BPL 766 1965
£3,500
Clare Leighton (1898 - 1989)
The Darking Thrush, Hardy Shepherds, (Thomas Hardy), BPL 774b 1965
Clare Leighton (1898 - 1989)
“Some Better Country” (Time of Man), BPL 580 1944
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Clare Leighton (1898 - 1989)
Singing, BPL 723 1957
£2,600
Private
Collection
Clare Leighton (1898 - 1989)
I went by the field (Psalms), BPL 667 1952
Private
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Clare Leighton (1898 - 1989)
Both Man & Bird & Beast, BPL 718 1955
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Clare Leighton (1898 - 1989)
The Book of Ecclesiastics, BPL 669
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Clare Leighton (1898 - 1989)
Tobacco Market, BPL 529 1942
£4,000
SKU: 9697
Clare Leighton (1898 - 1989)
Reading, Writing, Speaking, BPL 730 1959
£1,100
Private
Collection
Clare Leighton (1898 - 1989)
God’s Familiars, Earth is the Lord’s, Gods Familiar, BPL 764 1965
Private
Collection
Clare Leighton (1898 - 1989)
Shells & Seaweed, BPL 680 1954
SKU: 9690
Clare Leighton (1898 - 1989)
Flowers on a hilltop near a bay
£1,000
Private
Collection
Clare Leighton (1898 - 1989)
“Where Land Meets Sea” (Coastline is the catalogues title, The Beach is the title of the chapter), BPL 707
SKU: 9687
Clare Leighton (1898 - 1989)
Hog-Killing Girl, aka After the Hog Killing, aka Woman Carrying Binbath, BPL 515 1942
£3,500
Private
Collection
Clare Leighton (1898 - 1989)
Tulip Poplar Bud BPL 517 1942
SKU: 9675
Clare Leighton (1898 - 1989)
The Flowering Hawthorn BPL 749 1962
£1,800
SKU: 8696
Clare Leighton (1898 - 1989)
Top of the Rise
£3,500
SKU: 8697
Clare Leighton (1898 - 1989)
Unto the Hills, BPL 643
£3,900
Private
Collection
Clare Leighton (1898 - 1989)
The Cello Player, BPL 722, circa 1957
Private
Collection
Clare Leighton (1898 - 1989)
View from Whiteleaf Cross, BPL 256
Private
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Clare Leighton (1898 - 1989)
The Haricot Planting, BPL 768
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Clare Leighton (1898 - 1989)
The House at Phillips Place, BPL 577
Clare Leighton (1898 - 1989)
A herd of goats
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Clare Leighton (1898 - 1989)
Ellen and Her Children (BPL578), 1944
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Collection
Clare Leighton (1898 - 1989)
Smoke House, BPL 505 1942
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Clare Leighton (1898 - 1989)
Scarecrow, BPL 548 1942
£1,400
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Clare Leighton (1898 - 1989)
Hog Killing, BPL 514 1942
Private
Collection
Clare Leighton (1898 - 1989)
Rounding Cornwall BPL 747 1962
SKU: 7355
Clare Leighton (1898 - 1989)
The Sleep of the Labouring Man BPL 671 1952
£1,800
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Collection
Clare Leighton (1898 - 1989)
Cinnamon Fern, BPL 508 1942
SKU: 7353
Clare Leighton (1898 - 1989)
Religion, BPL 583 1944
£2,500
SKU: 7311
Clare Leighton (1898 - 1989)
Winter (BPL 571) 1944
£1,800
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Hog Killing, 1942
SKU: 7315
Clare Leighton (1898 - 1989)
The Village, BPL 227 1933
£800
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Collection
Clare Leighton (1898 - 1989)
PrefaceCape Cod Road (Herring River and Wellfleet Harbor), BPL673
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Clare Leighton (1898 - 1989)
I know all the Fowls, (BPL 650)
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Clare Leighton (1898 - 1989)
Whaling from the New England Industries, late 1940’s
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Clare Leighton (1898 - 1989)
All Instruments, BPL 721
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Clare Leighton (1898 - 1989)
Figure group, uneditioned woodblock
£3,500
SKU: 7098
Clare Leighton (1898 - 1989)
Farmer and Statue of Liberty, 1930’s
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Clare Leighton (1898 - 1989)
Ship Wreck, BPL 696
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Clare Leighton (1898 - 1989)
Concert of Music, BPL 726
SKU: 7101
Clare Leighton (1898 - 1989)
He Maketh the Barren Women, BPL 658
£1,875
Clare Leighton (1898 - 1989)
The Journey, 1946 (BP 597)
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Clare Leighton (1898 - 1989)
Book with quill pen and ink bottle
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Clare Leighton (1898 - 1989)
Fishermen & Nets, (BPL 615)
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Collection
Clare Leighton (1898 - 1989)
Who Shall Ascend, (BPL 646)
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Collection
Clare Leighton (1898 - 1989)
The Magic of Handling Earth (BPL 488), By Light of Sun, circa 1941
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Collection
Clare Leighton (1898 - 1989)
Alabama Hog Pen (BPL 518)
Private
Collection
Clare Leighton (1898 - 1989)
Trillium (BPL 522), 1942
Private
Collection
Clare Leighton (1898 - 1989)
Fishing (chapter header) (BPL 689)
Clare Leighton (1898 - 1989)
Apple Butter (BPL 523), Top Potential
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Collection
Clare Leighton (1898 - 1989)
I Was Just Thinking (BPL 729), 1958
Clare Leighton (1898 - 1989)
Travelling (BPL 732)
Private
Collection
Clare Leighton (1898 - 1989)
Louisiana Pilgrimage (BPL 525), 1942
Private
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Clare Leighton (1898 - 1989)
He Brought Streams, (BPL 653) Psalms, circa 1952
SKU: 6005
Clare Leighton (1898 - 1989)
Frontispiece Ellen… (BPL 564), 1944
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Clare Leighton (1898 - 1989)
Charm Me Asleep (BPL 758), Music & Dreams, 1962
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Clare Leighton (1898 - 1989)
Cotton Picker (BPL 491), Cotton Frontispiece, 1942
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Lovers In the Wheat field (BPL 570), 1944
SKU: 6001
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To Everything There Is a Season, Psalms (BPL 670)
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The Berry Picker (BPL 701)
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Resting, 1931
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SKU: 5474
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Building The First Church (BPL 748), Flowering Hawthorn
£1,500
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Clare Leighton (1898 - 1989)
Cranberry Bogs (BPL 684),
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Clare Leighton (1898 - 1989)
Self Portrait musing
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Sorghum Mill (BPL516)
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Clare Leighton (1898 - 1989)
The Reaper (BPL 221), 1933
£5,000
Private
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Clare Leighton (1898 - 1989)
In The Morning Sow Thy Seed (BPL 672), 1952
Private
Collection
Clare Leighton (1898 - 1989)
Watchers Of The Sky (BPL 719), 1955
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Clare Leighton (1898 - 1989)
Aunt Madge (BPL 502)
£2,500
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Clare Leighton (1898 - 1989)
I Cried With My Whole Heart (BPL 659) Psalms
£2,000
SKU: 5461
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The Sluggard Will Not Plow (BPL 666) Psalms
£2,200
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Collection
Clare Leighton (1898 - 1989)
Jasper’s Hog Pen (BPL 574 )
Private
Collection
Clare Leighton (1898 - 1989)
Old Sam (BPL 526)
Private
Collection
Clare Leighton (1898 - 1989)
He That Gathereth (BPL 665) Psalms, 1952
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Clare Leighton (1898 - 1989)
Marble Quarrying, BPL604, 1949-50
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BPL 664 Hear ye children (BPL664) Psalms, circa 1952
£1,900
Private
Collection
Clare Leighton (1898 - 1989)
Out of the depths – (BPL 662) 1952
Forthcoming
Clare Leighton (1898 - 1989)
Logging, BPL 608, 1949-50
Forthcoming
Clare Leighton (1898 - 1989)
Tobacco Growing, BPL614, 1949-50
Forthcoming
Clare Leighton (1898 - 1989)
Farming, BPL609, 1949-50
Forthcoming
Clare Leighton (1898 - 1989)
Maple Sugaring, BPL610, 1949-50
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Clare Leighton (1898 - 1989)
Ice Cutting, BPL607, 1949-50
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Clare Leighton (1898 - 1989)
Miller (BPL 497)
£2,800
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Clare Leighton (1898 - 1989)
Cod Fishing, BPL613, 1949-50
Private
Collection
Clare Leighton (1898 - 1989)
The letter ‘S’ from The Farmer’s Year, 1933
Private
Collection
Clare Leighton (1898 - 1989)
The letter ‘G’ from The Farmer’s Year, 1933
Private
Collection
Clare Leighton (1898 - 1989)
The Farmer’s Year, 1933
Private
Collection
Clare Leighton (1898 - 1989)
The letter ‘M’ from The Farmer’s Year, 1933
Private
Collection
Clare Leighton (1898 - 1989)
The letter ‘R’ from The Farmer’s Year, 1933