Frank Brangwyn (1867 - 1956)

Study of a Monk, full length three-quarter view, Study for St Aidan

£3,140

SKU: 6437
Signed with initials
Pencil, black and white chalk on brown paper
22 1/4 x 11 3/8 in. (56.5 x 29 cm)

Size:
Height – 56.5cm
Width – 29cm

1 in stock

DESCRIPTION

Provenance:
Father Jerome Esser
Presentation:
mounted

Literature: Frank Brangwyn, Drawings from the Collection of Father Jerome Esser, Liss Fine Art 2015, cat. 42, page 46.

We are grateful to Libby Horner for her assistance. This will appear as M1108 in her forthcoming Catalogue Raisonne of Brangwyn.
Disclaimer:
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THE ARTIST

Frank Brangwyn
Frank
Brangwyn
1867 - 1956

Frank Brangwyn was born in Bruges, Belgium, the son of an English father and Welsh mother. The family returned to London in 1874, Brangwyn’s father gaining work as a designer of buildings, embroideries and furniture. Although Brangwyn appears to have had little formal education, whether academic or artistic, his earliest mentors were three of the most influential men in design at the turn of the century: Arthur Heygate Mackmurdo, William Morris and Siegfried Bing. Between 1884 and 1887 Brangwyn travelled to Kent, Cornwall and Devon, before venturing further with trips to Turkey in 1888, South Africa in 1891, Spain in 1892 and Morocco in 1893.

Brangwyn was an independent artist, an experimenter and innovator, capable of working on both large and small scale projects, ranging from murals, oil paintings, watercolours, etchings, woodcuts and lithographs to designs for architecture, interiors, stained glass, furniture, carpets, ceramics and jewellery, as well as book illustrations, bookplates and commercial posters. It is estimated that he produced over 12,000 works during his lifetime. Mural commissions included the Worshipful Company of Skinners, London (1902-09), St Aidan’s church, Leeds (1908-16), Manitoba Legislative Building, Winnipeg, Canada (1918-21), Christ’s Hospital, Horsham (1912-23), State Capitol, Jefferson City, USA (1915-25), the British Empire panels, Swansea (1925-32), and Rockefeller Center, New York (1930-34). Brangwyn married Lucy Ray in 1896 and took on the lease of Temple Lodge, Hammersmith, in 1900. In 1918 the artist purchased The Jointure, Ditchling, where he spent most of his time following his wife’s death in 1924. Elected RA in 1919, knighted in 1924, holder of countless artistic awards, Brangwyn was modest about his singular achievements, regarding art as an occupation and describing himself as a designer.

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Cannon Street Station, circa 1910
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Study of boy holding jars, for Skinners Hall, circa 1902
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Study of Artichokes
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Aerial perspective of Kyoraku Art Museum, Tokyo, 1918
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The Market Place, Bruges, c 1916 (V-3609)
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Book plate for Brangwyn’s Wife, Lucy
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Rubaiyat of Omar Khayyam, original design for T N Foulis, circa 1910
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Windmills
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The Last Supper, St Joseph’s, Stokesley, 1946
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Sketch of a Man Digging
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Oak Trees, Sussex
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Fishing Boats, Rye, 1887
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Sketchbook, 1892
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The Prize Fight (or The Boxers), circa 1919
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War Bonds 2 (Back Him Up, Buy War Bonds) W1930, circa 1918
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Steam Train (Nocturn), circa 1910
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Soldier Drinking Wine from a Bottle – Study for the Manitoba Legislative Building, Winnipeg, 1921
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Mural study for St Aidan’s Leeds, a young girl with red hair, c. 1908-16
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Study for the Empire Panels in red chalk, circa 1925
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Drapery Study for a Station of the Cross, circa 1933
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Study for central panel of Nativity window, St Mary the Virgin, Bucklebury, Berkshire, early 1920’s
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Study of Man Carrying Rifle, Study for Jefferson City
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Allegory of War and Industry
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Man Carrying Child on His Back
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Loot, working proof
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Study for Harmony, Skinners, c.1908
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Man Playing Flute, study for panel 3, Skinners
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The 10th Station: Jesus is Stripped of His Garments
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The 5th Station: Simon of Cyrene Helps Jesus Carry the Cross
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The Begging Musicians, 1930
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Ponte Rotto Rome, 1936
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King of the Seas – Raleigh, 1924
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Butchers Shop, 1904
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Stone Cutters, circa 1921
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Design for Thurstons for a Billiard Table, circa 1902
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